Facing Finalities

I am going to Maine with two friends next week. While there, I am going to put to rest what remains of the guilt and sorrow and regret regarding my relationship with my mother.

The other day I went and spent some time with a good friend, and who is also a healer of souls carrying burdens of regret and guilt. Ed Tick began as my therapist and over these 30 years, that relationship blossomed into a friendship. I still reach out to him when I am troubled, and I visited him earlier this week in his new home not far from where I now live.

The result is that, next week, in Maine, as part of solidifying this new phase of my life on which I have embarked, I will do a ritual to let go of stuff that needs to be freed. I will build a fire, read this last missive to my mom, and then burn the paper. And then burn the triptych with her images — sending her history as a woman to soar with the gulls.

In preparation, I have set up a little altar to honor the good parts of my relationship with my mother, who died five years ago. I have her wedding ring that I put on a chain, and beads from the old red coral necklace (that has been a part of my matriarchal lineage for several generations) that I made into another necklace. I will wear these during the ritual, but, for now, they are a part of the altar. One of the few things I have left of hers is her old statue of Saint Anthony, the heretic converter. I’m sure that she prayed to him all of the time to convert this heretic. It didn’t work, but this icon,one of her favorites, has become mine. Maybe I like him because he holds a lily. And a child. And an open book. In my poetic heresy, I can interpret that any way I like.

altar

So, here is what I will read. And what I will burn. In place of prayer, I write. Here and wherever. Because I can.

If we become the mother
we wanted, our children
grow the roots and wings
of our lost early yearnings,
Our daughters become
the women we wish we were,
our sons the men we dreamed.
But too often we succumb
to the echo of her voice,
caught in the tangle
of a cord never cut.
There is no burying our mothers,
though we lay them deep.
They live in us one way or other,
whether we heed or not.

I am sorry, Mom, that I was not the daughter you wanted. I’m sorry that you were not the mother I wanted. I know that you tried your best to be the best kind of mother that you knew how to be – the kind your mother was. And I did my best to break away from that kind of suffocating tradition.

Yet, despite how I disappointed you over and over, you were always there for me when I needed you. Because that is what the mothers in our family do, And that is how the best parts of you still live on in me – in the kind of mother I have finally become.

I’m sorry that your last years were filled with such turmoil. I wish I had made better choices about how to give you the care you needed. I guess it was my turn to try my best. That was all either of us could ever do.

I’m sorry that your last days were not what you had always hoped they would be – to die at home, in your own bed, with family around you. I did the best I could, Mom. I tried to make sure that you didn’t suffer. Instead, I suffered for you, and that was OK because it meant that in those last days I kept you safe from enduring some unnecessary familial narcissistic tyranny.

There were good times and bad times during the last of the years that we lived together. I like remembering the time we had then to talk and laugh, to dance the polka, to sing all of the old songs, to share our memories of times that were good for us both. I liked that I was finally able to do things for you that you really appreciated, that made you feel good. Because I know there were many other times before that when I made you feel bad.

All of those years as I struggled to grow up, I never really saw you the way that others did. You would have been glad to hear what cousin Cristine wrote to me about you after you died. She said:

I remember the enigmatic smile she always wore, like the one in The Portrait. I never remember her upset or angry. She was always dressed impeccably and I remember her love for Ferragamo shoes. Odd what we remember from our past — the strange minute things that become permanent strong memories and the important things that fade away. I always remember the bathroom at your house on Nepperhan — the l-o-n-g narrow pink bathroom with a door at each end (how cool!) and how it always smelled of green Palmolive soap. I remember your mom cooking and running back and forth to the kitchen and not sitting down and enjoying her own meal.

Someday, I will write a poem about that “enigmatic smile,” which I now think was a biting back of your disappointment and frustration for the parts of your life that you were never allowed to make your own — but I was too wrapped up in my own selfish agendas to realize that.

I don’t know if you were aware of much during your last days, but there was a sea gull who spent most of each day screeching from and pacing on the roof outside the window of your hospital room. This is what I found out about sea gulls:
Sea Gulls are messengers from the gods, especially ancient Celtic deities. They bridge the gap between the living world and the spirit world. Opening yourself to their energy enables you to communicate with the other side. Sea Gull can also give you the ability to soar above your problems and see things from above. Seeing all the different viewpoints.

So tonight I am here at the ocean, communing with the messenger seagulls, sending this message into the wind, into the endless sky: I miss you, mom, I’m glad we had some good last days together, and I wish we had been able to be closer, sooner. I release what is not worth carrying, and I cherish what is left: the comfort that, at the end, we knew how much we loved each other.

an old poem

Every once in a while, I scroll through this blog, re-reading stuff I wrote and forgot. Today I found this short poem.

Some say the world will end in fire,
a sudden spike of life and then the glory.

But for her, it was a slow fall into
the cold of oblivion, the bones of her face
sharding like ice, her fingers blue crystals
clutching frigid white sheets,
sliding toward the final winding.

Had my mother lived, she would have been 99 this month. But it’s good that she didn’t, given her severe dementia at 94. A longer poem I wrote about that has been accepted by Caregiver magazine.

The Gypsy Coat Tale

I gave my writing circle the prompt “the coat was shabby.” And I gave them a challenge to use strong verbs and specific nouns. As I began to write my response to that prompt, I decided to put it someplace in history and do a little research for details. This is my result, my first ever try at historical fiction:

artdecodesign

The Gypsy Coat Tale

The coat was shabby, but its aspect still spoke of nights thrown over a naked shoulder at a smokey Montparnasse cafe, or tossed onto the back of a scarlet sofa at a late night Paris salon. Its stained fabric revealed a careless pattern of absinthe, bathtub gin, and the mascaraed tears of its most passionate devotees.

They say it once belonged to Nina Hamnett, self-proclaimed and notorious “Queen of Bohemia,” who wore its gold satin lining next to her skin while she danced shimmering lights into the weave of the rich silk brocade. On those nights, the coat created its own melody, a mesmerizing harmony of color, texture, and pattern, the timeless echo of a Siren’s song.

Legend has it that the coat was created by the two Japanese weavers and the Gypsy woman whom Hamnett befriended during her brief stay in Paris before the war started, before everyone folded themselves into enclaves of creative ferment or else fled to the safer shores of England and America.

And that, they say is how the coat finally wound up in the window of the Fifth Avenue Parisian boutique on the afternoon that Zelda Fitzgerald walked out of New York City’s Palais Royale Hotel in search of the perfect evening dress.

She did find the perfect dress: a long black beaded silk with a sheer back that dipped down to her tailbone. But is was the coat that took her breath away – the coat and the legend and the fantasy.

The multicolored floral brocade boasted gleaming gold threads that reflected the bright city sunlight. Elaborate scrolls etched its lush black velvet cuffs and ankle-skimming border. A face-framing swath of black fox, added as an afterthought, brought the coat to the level of a work of art.

By the time I rescued the coat from the empty corner of my spinster aunt’s nursing home closet, its shabbiness was well-earned, having been Zelda’s constant companion through her bi-polar adventures played out over two continents and two decades, until both she and the coat began to unravel.

My aunt had been a nurse at the Highland Mental Hospital in Asheville, North Carolina, where Zelda spent her final years capturing on canvas the remaining bright colors of her memories and telling my aunt the elaborate coat-tales that fed her lonely dreams of prodigal nights ablaze in the heart of a drowning Jazz Age.

Just days before the hospital fire that took her life, Zelda gave my aunt the coat to wear to a costume party.

And so the Gypsy Coat was retired to the back of my aunt’s closet, although she always took it with her whenever she moved, unable to dispose of its vibrant history. The Gypsy Coat is mine, now, to ponder on the relic that it is – a remnant of legendary lives lived with creative abandon, dazzling artistry, and deadly excess.

artdecodesign

The day after I wrote this, as I was watching a “Friends” rerun with the family, Phoebe appeared wearing the coat I had described the day before.

gypsy coatbI love it when stuff like that happens.

I know a young woman

Well, I say I know her, but she’s really a friend of a Facebook friend. Well, I say that she’s young; she’s really my daughter’s age — just over 50. It’s all a matter of personal perspective.

Anyway, this young woman is very ill with a disease of the blood and will only get worse. She is very smart and creative and well-known and respected in the technical information/education publication world. That is not a world I know. I only know about her. And I only know about her because there is something in her brightness and bravery that moved me and made me want to learn more about her.

I needed/wanted to do something for her — because I can’t fix any of the things wrong with this world, with my country, with all of those folks hurting and trying and dying. Because I am a maker of things and because I wish — how much I wish — I could make magic.

And so I got on Google and downloaded images from her Facebook page and from her book covers on Amazon. I figured out how to do a simple world cloud using words from her various posts.

shirtfront I printed out the images on washable fabric. I appliqued the images onto the front of a t-shirt.

Then, I appliqued a healing mandala on the back of the shirt.back

And then I looked up her address on 411.com and put it in the mail.

And I included this note:

If Magic were something I could make,
I would spin you a spell of healing,

thread it with the strength and energy
of all of your best moments, color it
blue like water teeming with life,
the burgundy of blood, the red and white
of cells induced to dance again,
of a thousand loving thoughts
warming the fabric of hope.

Then you could wear it like armor
a curative cloak, medicinal mantle,
that primitive sympathetic magic
powerful in intent as any prayer
.

I did it as much for me as for her. We are both powerless against the arbitrary surges of fate that drag us into those dark places where we would not choose to go and then leave us, spent, to find a way out. Only she has no way out of this one.

This is why I blog….

Here on this weblog, I write about whatever interests me at the moment, even though, at the time, I recognize that it might not interest anyone else.

But every once in a while, out of nowhere, it does.

I just received an email from a man in Edmonton, Alberta, Canada regarding a blog post I did back in 2003 about friends of mine leaving to join a group in Edmonton that I consider a cult.

You can read the post here — and be sure to read the comments as well.

Apparently, a colleague and friend of my e-mailer, who was missing since March 22, has been found dead. Police do not suspect foul play; my e-mailer suspects suicide. He also seems to believe that she was somehow involved in de Ruiter’s group.

I guess he is doing his own investigation, and so I gave him the names of my old friends who left all of those years ago, in case they are still around and can help him. And in case they might like to get back in touch with me.

That’s why I blog. Because all of my stuff is sitting somewhere out there in the world wide web, and sometimes it is just what someone is looking for.

Well, it’s one reason I blog. I blog because I’m a writer and I need a place to write.

Whatever. It all works for me.

A Day of Memories

aweddingSix years ago today, my friend and once-husband died of lung cancer. This is the only existing photo of the day we eloped in 1962.

We were kind of a fire and ice mixture. Made some fascinating patterns and two great kids, but we were destined to destroy each other if we didn’t separate.

Our son published some of his writings, which are available on Kindle. In the early days, we were very competitive with each other regarding our writing/achievements. Back then, I kind of viewed us as an “F. Scott and Zelda” situation.

Only I didn’t jump into a fountain and wind up in a loony bin. I jumped out into the life I was destined to have.

We eventually were able to become good friends, and I was with him on his last day.

I often think about how much he would be enjoying the paths that our two kids have taken and the way his grandson is blossoming.

old age sexuality

In contrast to my earlier post, this essay, which begins:

Becoming an old woman has been a sexually liberating experience for me. It has given me, among other things, a great ability to love generously, since I am not impelled to act out that love.

Go and read all of it. It’s a wondrous reminder to both young and old, about how healthy sexuality evolves.

It’s NaPoWriMo

napo2013button2
It’s National Poetry Writing Month
— 30 poems for thirty days.

Here goes #1.

Some say the world will end in fire,
a sudden spike of life and then the glory.

But for her, it was a slow fall into
the cold of oblivion, the bones of her face
sharding like ice, her fingers blue crystals
clutching frigid white sheets,
sliding toward the final winding.

Legacies: Burdens or Bequests

On Facebook today, my daughter writes:

Having difficulty — dad died in 2008. I have a basement of things — mostly writing…must be THOUSANDS of poems, started collections, forgotten beginnings, things left undone. Bits and pieces of him, his heart, his spirit, that no one in the world will see. Here they sit. For what? He would tell me to let them go, they are just things, gone as he is. But it seems a betrayal. He’d laugh at that, I know. But still. All his work, his passion. For what? To be tossed in recycling. Doesn’t seem right.

The other day, my blogger friend Tamara posted this:

Yesterday I pitched my idea for a new book. I had been excited about it for days – felt alive and alert and looking forward to the writing of it. But, oh well – someone had just recently done a book very similar to what I was proposing. These things happen, and of course I can still write it – perhaps for a different publisher. Because, write it I will – write it I must. It feels like a legacy sort of thing and something I want to do for teachers of young children out there. And as I write this piece now, I realize that at some level I struggle with the feeling that I am entitled to leave a legacy. I mean, who am I after all? Just some teacher educator somewhere. So, where do I get off thinking my legacy is worth anything.

Over at “Time Goes By,” Ronni Bennett links to “Legacy Matters,” and offers this quote from there:

“…what you leave behind is the evidence of the life you lived,” says Jill. “I want people to live fuller, richer lives and the way to do that is to realize that we all hang by a slender thread that could be cut at any time. I believe that we all should have a legacy plan so that we leave behind the gift of good records, the gift of good directions, the gift of family stories and the gift of ourselves. This is different from your traditional estate plan or your financial plan, but, in the end, may prove far more valuable to your family.”

If you are a widely published and/or read writer, your legacy of words is an obvious one. That’s the advantage of blogging — your words and thoughts and values are out there to share with the world even after you are no longer a part of it. As long as someone pays for your domain name, of course.

Apart from this blog, which will disappear when my consciousness does, what is my legacy? My bins of yarn and fabric? My shelves of books? My box of poems, finished and unfinished? Certainly it’s not my money, because I have none left to leave.

In truth, I believe what I left as a comment to my daughter’s Facebook thoughts about her father’s legacy:

You’ve got me thinking about legacies, and what they really are. Your dad’s most important legacies are the differences he made in the lives he touched as a teacher, mentor, father, friend. Those things live on and are paid forward. The stuff that turns to dust and ashes is really not that important in the long run. Pick a few things at random to save when Lex becomes interested. Let the rest go. The best of his legacy is inside you.

And perhaps the best legacies that we can leave our families are our examples of living with passion and purpose — the behaviors and values we model each day as we “Enjoy Every Sandwich.”

minding the mortal

Thinking about it. Annoyed by it. Just not yet destroyed by it.

There were times during that icy week without heat that I could imagine just slipping into a frozen sleep and not waking up.

There were times during the week or so after, floundering in a mix of aches and fever and stuffed sinuses and peppery throat, unable to rest or eat or think, that I could imagine dosing myself into a cloudy sleep and not waking up.

Discomforts for the young can become depressing struggles for elders.

And, if it’s more than just discomfort, if it is, indeed, mortality beleaguering your cells — as it is for my first hospice patient with whom I sat for several hours today — how do you wrap your mind around that?

When I got home from that visit, I found an email letting me know that I have three poems accepted for an online poetry site, the new version of which will be up sometime over the winter. Two of the poems I submitted were based on my experiences with my mother during the last stages of her dementia.

Mortality. It’s just the way it is. We are all terminal.

In the meanwhile, I have to come up with a recent photo to go along with my bio that will go along with my poems on Cyclamens and Swords. The photo that they have — and the one that was on this blog for a while — is almost a couple of years old.

So I take a new photo.

Yeah. More reminders of mortality.

But I do my best to look my best — a little blush, a little hair teasing. Only there’s no denying the passage of time, fine-lining it toward the final loosing of that mortal coil.

Like Mehitabel, I used to brag that “there’s a dance in the ol’ dame yet!”

Well, today, I’m not so sure about a dance. But a song, for sure.

….my youth i shall never forget
but there s nothing i really regret
wotthehell wotthehell
there s a dance in the old dame yet
toujours gai toujours gai

the things that i had not ought to
i do because i ve gotto
wotthehell wotthehell
and i end with my favorite motto
toujours gai toujours gai.

Wotthehell.