The Face of Pain

My mother had passed away at age 94, after a decade of increasing dementia.

         While  Words Fail  
She was gone before she went,
slipping into that final forgetting
with each hollow breath.

I was her angel, she said
as she sat at the sunny table
picking at pancakes and coffee
while she still could smile
and think meaning.

Music kept her eyes alive
awhile, her feet remembering
thoughtless, but certain of rhythms
too deliberate to disappear.
She followed my familiar lead,
reaching for memories lost
with the fading of voice.

She didn’t believe in demons,
but I saw them slip inside her skin,
forcing pain from her pores,
folding her face in caverns
of anguish and alarm,
as, steadily, words fled, leaving
a frightened keening in their wake.

She was gone before she went,
and when she went, the world
filled again with words.

(elf 2020)

GOING…GOING………………..

The other night I dreamed of my best friend and roommate in college (from 1959-61). The last time I spoke to her on the phone, probably 7 or 8 years ago, she was living in an Assisted Living place while her husband, afflicted with Parkinson’s, was in the Memory Loss Unit. She was furious because her children had taken away her car and license.

When I “googled” her today, I found her obituary. She died in 2021, “peacefully”, it said, and suggested contributions to the Alzheimer Association.

In our Junior year, we shared a room in the sorority house with two other girls. This is three of us in 1959.

Shirley, Carole, and me.

I (on the right) am the only one of us three who is still alive.

Here are the four of us at our reunion in 2004. Shirley and Carole, in the middle, are both gone. Cathy married a guy with whom I loved to dance.  He had great style and knew how to lead.  Cathy has been a widow for the past 4 years.

Cathy, Carole, Shirley, and me.

Shirley and I shared our clothes and countless adventures during our college years. We wore the same size clothing, and I was more than happy to wear her comfortable, casual outfits, while she wore many of the dresses and skirt-sweater sets with which my family saddled me each year. Another difference between us was that I wore lots of makeup and she wore none. And while she was a Business major with a very linear and logical mind, I was an English major who fantasized about moving to San Francisco to write poetry and live in a garret. We also had different taste in boyfriends, so we were never in competition with each other. I don’t think we ever had an argument, unless you count the time my roommates got fed up with my messiness and took all of my stuff that was lying around, wrapped it all in my blanket, and threw it in the closet.

Shirley taught me to drive while she was taking the college class to get certified to teach Drivers’ Ed.  She had a car, and I was 19 years old and had never learned.

Shirley’s and my greatest adventure was heading out to Daytona Beach during the spring of ‘59 for Spring Break. We drove straight through from Albany, NY to Daytona in a little blue coupe with three guys we knew. I think it was Chuck Recesso’s car, and he did most of the driving. One of the other guys was Frank Fallace, but I can’t remember the name of the third, although I can picture his face and could probably find him in the yearbook. I remember the drive through the South and the signs in the places we stopped for both ingesting and eliminating food that boasted signs of “coloreds not allowed.” We were liberal Northerners, and were taken aback by the reality.

While the guys were probably assuming that we would hang out with them, Shirley and I had other plans, since she had male friends from Cortland State College who were also planning to be there.

I don’t remember much of our time in Daytona, but I remember that the water was filled with Portuguese Man-of-War fish, and that we partied hard (still vehemently protecting our virginities, of course) and finally wound up booking flights to come home, avoiding the stifling car ride back– 17 hrs (1,157.2 mi).

We each married in June of 1961, but our lives went in totally different directions. Shirley married the handsome and sweet Owen Davis, teaching business subjects at a community college, and boasting three children and, finally, several grandchildren.

The last time I saw her and her husband was about 15 years ago, when I met them one Fall, down in the Catskills, for an apple festival. Owen was already showing signs of the Parkinson’s disease that finally ended his life; but he was still handsome and sweet. I wish that I had kept in better touch with her, but, you know…..LIFE!

And this is the way it will go from now on.  Because, you know….LIFE!

 

“to sleep, perchance to dream”

Yes, that’s from Shakespeare.

Boy, am I doing a lot of sleeping and dreaming. As a matter of fact, my dreams are a hell of a lot more engaging than my life these days. It gets so I don’t want to get out of bed, because if I stay there and fall back to sleep, I will have more adventurous dreams that are more interesting than any of my daily doings.

My dream world has very specific landscapes that include a section that is some odd representation of the campus where I went to college; a distorted version of the part of the city where I worked for 20 years; a kind of Catskill Mountain vacation hotel where I once attended ballroom dance weekends; and a weird version of an apartment complex where I used to live. I am always trying to get somewhere among those places, but it’s usually a matter of “you can’t there from here”. On those excursions, however, I might meet up with friends, go dancing, play with cats, and come up with a good first line for a poem. But then I wake up, and it’s all gone where dreams go.

No matter how hard I try I can’t reclaim a normal sleep schedule. I often don’t fall asleep until early morning hours, and then I sleep until afternoon. My sleep got messed up more than a decade ago when I was taking care of my demented mother. A search of this blog for “caregiving” or “dementia” will unearth full details.

I have tried to get control of my insomnia (search “insomnia” if you are curious). Medical Marijuana worksto get me to fall asleep, but it is awfully expensive because it takes a double dose to have any effect on me.

There actually have been more than a couple of times when I didn’t get out of bed for more than 24 hours. To be honest, I there are times that I would just as soon not wake up. I kind of identify with a 1999 episode of Ally McBeal, in which “Ally’s favorite teacher from high school is dying, but she has a wonderful dream life which she would like to remain in. Ally decides to get a court order to force the hospital to put her into a coma.”

In my dreams, I have relationships, friends, hugs, interactions, adventures — kind of the opposite of life with Covid-19. (I do live with family, but that’s not the same as hanging out with peers.)

On the Late Show last night, Bill Gates suggested that it might be close to a couple of years before we can settle into some kind of normalcy. How are we all going to keep from going off the deep end before then? Will I even live long enough to see a “new normal.”

In the meanwhile, lacking motivation, energy, and inspiration, I continue to avoid my pile of half-done creative projects that are wasting away in the corner where I piled them months ago. And, also in the meanwhile, I have tracked down a former therapist and have started, again, trying to find my muse, looking for some fuse that will propel me out of this mindless funk.

Beginning a New Adventure: My Jungian Journey

I have been through the process before, and blogged about it decades ago (somewhere on my old blog, which is only partially still available on blogspot). Severe sleep issues, depression (only partially helped with meds), and writer’s block have led me to try it again, this time with a different analyst, because my previous one is focusing these days on veterans and PTSD. Jungian analysis connects well with Shamanistic “soul retrieval”, in which I’ve also engaged before and which also has been successful.

One of the concepts Jung espoused is “synchronicity”, which, simply, is meaningful coincidence. And there already have been several as I work with this therapist: we both use a pen with purple ink; we both have hair issues; we both sport wearables that identify us — me my t-shirts and she exotic necklaces. Jungians also deal with dream interpretation, and I had one last night that is rife with meaning.

In real life, I am always worried about getting locked out of the house if no one else is home, so I found a very esoteric place to hide a key, which I wrap in plastic before I hide
it. Last night I dreamed that someone I was with wanted to come into the locked house, so I went an got the hidden key, let us in, and then started to re-wrap the key. Except I was having a hard time manipulating the plastic. I woke up before the story ended.

I have only had three sessions, but already stuff is shaking out.

One of the fascinating techniques that Jungians use is “sandplay.” My therapist has walls of shelves with various figurines, from realistic to imaginary, to use in setting up a sandplay scene. The figure at the beginning of this post was the one I picked to begin my scene. (I didn’t know why until I got home and started analyzing why I might have.) The actual figurine did not have that Celtic Raven on her shoulder, but she did have some sort of a black bird. I replaced it with a Celtic Raven because I have become fascinated with its mythology — and this representation of it. (I even made a shirt with a Celtic Raven on it.)

I have named her “Baba Bogina,” Polish for “Crone Goddess.”

So much is happening, and I have just begun. One of things I will be doing in the next few weeks is making an appointment with a nurse who is also a shaman, to do a “soul retrieval.” Those of you who read my blog eight or so years ago, know about the traumatic five years I spent living with my demented mother and my emotionally volatile brother — resulting in what my Primary Care doctor was convinced is PTSD. There is stuff still stuck in my subconscious that I can feel is keeping me from moving on. I’m still feeling angry. I’m still feeling guilty.

I was in a similar place after my divorce, and, thanks to my former Jungian therapist, I was able to move on. Follow me if you want to get a idea of how Jungian therapy can work from a very personal perspective, as I learn to access the wisdom of Baba Bogina, who is an archetype and who is a part of me.

The Sound of One Hand Slapping

There it is. Can you hear it? It’s the sound of one hand slapping. It is the metaphorical slap that women are finally starting to give in place of the physical one they wished that had had the courage to give in the first place.

That sound has been a long-time coming, mostly because the cultural context for male-female interaction has been dominated by a male world view, a perspective influenced by both biological/hormonal as well as environmental/experiential histories. The myth of the superior Alpha Male, unfortunately, still endures in our society.

While some men continue to evolve beyond the influence of adolescent hormones and cultural aberrations and learn to interact with women as respected equals, others still cling to the mistaken notion that women are their inferiors and exist mostly as the means to fulfill their unrealistic fantasies. The worlds of sports, entertainment, and politics are well-populated with ego-driven men who relish asserting the power of their popularity and wealth. These men are many of the ones who are currently being “outed” for their long histories of sexually harassing women.

For women, sexual harassment ranges from an unwanted kiss or sexual comment, to the extremes of rape and pedophilia. But, it seems to me that it is unfair to judge the evil of all incidents of “sexual harassment” by the same standards.

Several years ago, when I volunteered in the Alzheimer unit at an upscale assisted living center, one sad 90 year old gentleman kept trying to pat my butt. Each time I saw him coming, I would try to grab his hand before it grabbed me. Sometimes I succeeded; sometimes I didn’t. He was 90 years old and suffering from dementia. I did not feel sexually harassed.

Like many of the men over 65, he grew up in a cultural context in which men expected men to “come on” to women as an assertion of their male egos. That is why the older politicians and entertainers who have been notorious for the sexual harassment of women don’t think it’s such a big deal. They don’t have a clue that the really big deal is that they never grew out of their limited understandings of women and never emotionally evolved into mature, responsible adults males. I can excuse (and gently correct) a 90 year old man with dementia when he makes a grab, because he is on the very low end of the harasser spectrum.

But It’s another thing to be a powerful elder male still engaging in sexual harassment (like Donald Trump and Roy Moore). It is also another thing to be a powerful elder male who did some stupid adolescent pranks in his early years, has proven that he has evolved way past that kind of behavior, and is embarrassed and apologetic about those past transgressions (like Al Franken). Punching someone is not as horrendous as murder; trying to kiss someone is not as bad as forcing more intimate sexual contact.

Most women neither expect nor want any of those advances, but, as we have been reading in countless current confessions, women usually feel powerless to resist, afraid to lose whatever the harassers had the power to take away from them.

For whatever reason, they didn’t slap their harassers when it happened, so they are slapping back now, loud and hard. They are setting an example for other women who felt and might feel powerless to tell their harassers to stop, to back off, to show respect and not condescension.

Oddly enough, I don’t remember ever being harassed, except maybe by the nuns in elementary school, who definitely felt obliged to assert their power over us puny kids in the most unappealing ways.

Maybe it was that I was careful to appropriately dress for every occasion, well aware of the visual signals that purposeful cleavage and a short, tight skirt tend to send to the eager male eye. That is not to say that I never used what limited assets I had to give those signals; but my doing so was a conscious choice, with a consensual expectation and an acceptance of responsibility for what came next.

And that is the responsibility that we women need to take for how we present ourselves to the world of the puerile assumptions of some males. We need to stand against misogyny where it surfaces, and discredit the advertising media that keeps presenting women as sexual objects and therefore encourages the cultural context that we need to reveal, revise, and reform, We need to engage life (as suggested by Camille Paglia) with wary vigilance, personal responsibility, and enough self-assurance to assert our right to hear the sound of our one hand, slapping.

Paul read his poetry naked.

He was a crowd favorite at urban poetry readings, especially at the former punk club QE2 on Central Avenue, where he screamed his edgy and ironic “White Boy” poems — often completely naked. Occasionally, he wore a baseball catcher’s mask to go with full-frontal nudity.

Such is how my once friend and colleague, Paul Weinman, is described in a tribute posted in the Albany Times Union today. He just died from the complications of Alzheimer’s. He was 75 years old. The newspaper piece celebrates Paul’s delightfully skewed lifestyle and creative pursuits and is an entertaining read even if you never knew him.

I met Paul when I began working at the New York State Museum in 1980. He already was a fixture and a legend in that institution, often annoying the staid administrators with his controversial off-site antics, while, at the same time, becoming a beloved and entertaining teacher in the Museum’s educational program. Parents and kids alike flocked to his workshops based on the Museum’s exhibits, and inner city neighborhood kids would show up in the Museum after school hours just to hang out with Paul and be entertained by his adventurous historical tales and re-enactments of life in the wilderness of the Adirondacks. He treated all kids with respect and affirmation; he dealt with adults with honest response to the way in which they dealt with him; he responded to the hypocrisies of every power structure with naively gutsy irreverence.

My professional path crossed with Paul’s because we were both poets in an institution that shared a building with the New York Sate Library and Archives and that often held literature-related events. Together, Paul and I organized and hosted the Museum’s annual “Banned Book Week” public readings. We held ekphrastic poetry events in conjunction with Museum art exhibits. We worked well together as colleagues supporting the educational mission of the New York State Museum.

Outside of our jobs, as part of the Albany poetry community, we came to know each other as writers, although our styles — in both content in presentation — had very little in common. As a challenge to my more conservative bent, one day Paul suggested that we do a collaborative poetry chapbook that explored male-female sexual tensions. I would write a poem and then he would write a poem in response. We would go back and forth like that until we had enough for a chapbook. Paul would print out and staple copies of the chapbook and then distribute it, for free, around the area, as he did with all of his poetry projects.

The whole idea was way out of my comfort zone, but Paul was pretty much an icon in the local poetry scene, and I was intrigued by both him and the challenge.

eating.jpg
This is what the cover and back page our chapbook looked like. “Fruits of the Harvest Press” is just the name Paul gave to his own personal printing and distribution system. There’s no date on the publication, but it probably was in the late 1980s.

It took me a while to figure out how to approach the subject of sexuality, but I found a way to do it my way: through food metaphors. Hence the title: “Eating Disorders and Other Mastications.” My first effort was inspired by a Thanksgiving turkey neck.

something about turkey necks,
gizzards nestled in palm of hand,
stroked with oil,
moist heated
until firm, juice-laden,
ready for needing,
nibbling, gnawing–
lip-licking
fine night dining,
giving
thanks

And we went on from there, as I branched out from the food metaphors into other expressions of female sensuality and Paul responded with blatant come-ons such as this, which became one of his famous “White Boy” series:

IN QUIVERS OF INAD-
EQUACY, WHITEBOY TRIES
BUCKUP UP HIS IMAGE
AS HE STRUTS FOR ELAINE
A.   autographing pens
      strapped to hips
B.   rakish hat
      festooned with
      panty hose
C.   boots tooled
      with female in-
      initials, cellular
      calling codes
WHITE BOY TRIPS…
POLEVAULTS ON THAT
POINT HE’S TRYING 2
GET ACROSS: ARRESTED
4 SEXUAL HARASSMENT

My relationship with Paul never moved beyond friendship, although as a willing participant in Dionysian revelry, he might have taken it in that direction. But as attracted as I often was to “bad boys,” Paul was way out of my league in that arena. Plus I got to know Paul’s wife at the time, Judith Braun , a talented visual artist who really didn’t come into her own until she divorced Paul. I liked Judith, enjoyed the bohemian parties they threw, was energized by the creative energies with which they always were surrounded. Paul caused me to stretch the boundaries of my writing and my perceptions of what is acceptable to me in both words and life.

Paul loved the lore of the Adirondacks, and he spent the last five years of his Alzheimer-ridden life making miniature chairs out of tree branches. As the newspaper tribute reports: He built miniature chairs in the Adirondack twig furniture style and left them anonymously around town with a note: “I’m an orphan chair. Please take me home and put a stuffed animal or plant on me.”

I don’t know his latest wife, but I’m going to try to contact her to see if I can get one of those chairs to hold a plant in my garden and hold his memory in my heart.

Facing Finalities

I am going to Maine with two friends next week. While there, I am going to put to rest what remains of the guilt and sorrow and regret regarding my relationship with my mother.

The other day I went and spent some time with a good friend, and who is also a healer of souls carrying burdens of regret and guilt. Ed Tick began as my therapist and over these 30 years, that relationship blossomed into a friendship. I still reach out to him when I am troubled, and I visited him earlier this week in his new home not far from where I now live.

The result is that, next week, in Maine, as part of solidifying this new phase of my life on which I have embarked, I will do a ritual to let go of stuff that needs to be freed. I will build a fire, read this last missive to my mom, and then burn the paper. And then burn the triptych with her images — sending her history as a woman to soar with the gulls.

In preparation, I have set up a little altar to honor the good parts of my relationship with my mother, who died five years ago. I have her wedding ring that I put on a chain, and beads from the old red coral necklace (that has been a part of my matriarchal lineage for several generations) that I made into another necklace. I will wear these during the ritual, but, for now, they are a part of the altar. One of the few things I have left of hers is her old statue of Saint Anthony, the heretic converter. I’m sure that she prayed to him all of the time to convert this heretic. It didn’t work, but this icon,one of her favorites, has become mine. Maybe I like him because he holds a lily. And a child. And an open book. In my poetic heresy, I can interpret that any way I like.

altar

So, here is what I will read. And what I will burn. In place of prayer, I write. Here and wherever. Because I can.

If we become the mother
we wanted, our children
grow the roots and wings
of our lost early yearnings,
Our daughters become
the women we wish we were,
our sons the men we dreamed.
But too often we succumb
to the echo of her voice,
caught in the tangle
of a cord never cut.
There is no burying our mothers,
though we lay them deep.
They live in us one way or other,
whether we heed or not.

I am sorry, Mom, that I was not the daughter you wanted. I’m sorry that you were not the mother I wanted. I know that you tried your best to be the best kind of mother that you knew how to be – the kind your mother was. And I did my best to break away from that kind of suffocating tradition.

Yet, despite how I disappointed you over and over, you were always there for me when I needed you. Because that is what the mothers in our family do, And that is how the best parts of you still live on in me – in the kind of mother I have finally become.

I’m sorry that your last years were filled with such turmoil. I wish I had made better choices about how to give you the care you needed. I guess it was my turn to try my best. That was all either of us could ever do.

I’m sorry that your last days were not what you had always hoped they would be – to die at home, in your own bed, with family around you. I did the best I could, Mom. I tried to make sure that you didn’t suffer. Instead, I suffered for you, and that was OK because it meant that in those last days I kept you safe from enduring some unnecessary familial narcissistic tyranny.

There were good times and bad times during the last of the years that we lived together. I like remembering the time we had then to talk and laugh, to dance the polka, to sing all of the old songs, to share our memories of times that were good for us both. I liked that I was finally able to do things for you that you really appreciated, that made you feel good. Because I know there were many other times before that when I made you feel bad.

All of those years as I struggled to grow up, I never really saw you the way that others did. You would have been glad to hear what cousin Cristine wrote to me about you after you died. She said:

I remember the enigmatic smile she always wore, like the one in The Portrait. I never remember her upset or angry. She was always dressed impeccably and I remember her love for Ferragamo shoes. Odd what we remember from our past — the strange minute things that become permanent strong memories and the important things that fade away. I always remember the bathroom at your house on Nepperhan — the l-o-n-g narrow pink bathroom with a door at each end (how cool!) and how it always smelled of green Palmolive soap. I remember your mom cooking and running back and forth to the kitchen and not sitting down and enjoying her own meal.

Someday, I will write a poem about that “enigmatic smile,” which I now think was a biting back of your disappointment and frustration for the parts of your life that you were never allowed to make your own — but I was too wrapped up in my own selfish agendas to realize that.

I don’t know if you were aware of much during your last days, but there was a sea gull who spent most of each day screeching from and pacing on the roof outside the window of your hospital room. This is what I found out about sea gulls:
Sea Gulls are messengers from the gods, especially ancient Celtic deities. They bridge the gap between the living world and the spirit world. Opening yourself to their energy enables you to communicate with the other side. Sea Gull can also give you the ability to soar above your problems and see things from above. Seeing all the different viewpoints.

So tonight I am here at the ocean, communing with the messenger seagulls, sending this message into the wind, into the endless sky: I miss you, mom, I’m glad we had some good last days together, and I wish we had been able to be closer, sooner. I release what is not worth carrying, and I cherish what is left: the comfort that, at the end, we knew how much we loved each other.

an old poem

Every once in a while, I scroll through this blog, re-reading stuff I wrote and forgot. Today I found this short poem.

Some say the world will end in fire,
a sudden spike of life and then the glory.

But for her, it was a slow fall into
the cold of oblivion, the bones of her face
sharding like ice, her fingers blue crystals
clutching frigid white sheets,
sliding toward the final winding.

Had my mother lived, she would have been 99 this month. But it’s good that she didn’t, given her severe dementia at 94. A longer poem I wrote about that has been accepted by Caregiver magazine.

I can’t find my keys

Really, I can’t find my set of keys that hold, not only my car and house keys, but all of those little tags they give you with bar codes that give you special privileges — like discounts at the food market, drugstore, and gas station. It also had my library card on the ring. And a tag that gives my phone number in case the keys are found.

Since I haven’t gotten any calls, I assume that the keys are somewhere in the house. I keep looking. For all I know, they fell into the trash at some point.

There is a place to hang our rings of keys right by the front door when we come in. But I forget to do that.

When I was my mother’s caregiver, and dementia caused her to hide stuff all over the place, I bought a set of key finders and attached them to her keys and her wallet. I would press the remote and the beeping would lead me to the lost article — sometimes tucked in the corner of her pillow case, sometimes in a purse at the bottom of her closet, sometimes under the mattress. Once in the refrigerator.

So I just bought a set of key finders for myself and attached one to my spare set of keys. But I don’t have all of those tags, and now I have to replace them all. I have one “key” finder that can be stuck to the back of something like the tv remote. I think I’ll stick on the back of my iPhone, since that’s the other thing I keep misplacing.

It’s bad enough that, more and more often, I can’t find the word I want to complete my thought. Now it’s my keys that get lost. What’s next? Me?

It’s no Eden.

A volunteering moment: A memory-impaired nonagenarian pats me on the butt. I just ignore it, since earlier today, for the first time, he actually conversed with me and willingly participated in a group activity. I can’t save the world, but today I make a sad old man smile.

Twice a week I volunteer at a geriatric facility that includes folks in assisted living (where I lead “Trivia” and other such group sessions) and a separate space for individuals who are memory-impaired (with whom I sing songs, share photographs and stories, go out for walks, and even play kids’ games). I think doing these things is my way of compensating for the fact that so much of this world is in such a large scale mess that I have no power to affect any of it in any positive way.

I don’t have the money to contribute to saving abused animals, abused environments, and abused people; listening to Sara McLachlan sing in the ASPCA commercial only makes my distress worse, so I avoid even doing that.

Instead of feeling overwhelmed by all of the horrors of the “big picture,” I cut out a piece of the “little picture” that I might be able make a little better. Maybe this geriatric facility is not the worse place in the world for elders to find themselves, but it’s no Eden, either. However, it is a place where I can make a difference without the effort impacting me in a negative way.

As a matter of fact, I’m always surprised at how much of the time I spend with these folks that I actually enjoy. Sometimes I even get inspired in crafty ways that I’d never expect.

For example, I noticed one woman had a really pretty quilted pouch attached to the front of her walker. It’s just big enough to hold some tissues, a few photos, and a pair of glasses. You can buy similar ones online for about $35. It’s a handy little item that I realized other women who use walkers would find helpful. So, I’ve been inspired to design my own version that combines crochet and fabric. Maybe I’ll try to sell them online. Maybe I’ll just give them as gifts. Either way, I now have the kind of creatively useful project that I like to work on at home as I sit around in the evening and watch escapist television.

In her post today on Time Goes By, Ronni Bennett confesses to having become a “cowardly” about dealing with the overwhelming problems in the world around her. She says:

Confronted with calamity – personal, private or global – I have always been strong, eager to understand and self-confident in my ability to do my best to help when I can and pass the word on to others who might have more resources than I.

Now, I’ve become a coward. If I cannot look at the photos, will not read the news stories, won’t listen to the appeals for starving children and abused animals, how can I possibly be part of any solution.

In a real way, it’s my similar cowardice that has led me to volunteer where I do. I can feel I’m helping to make the lives of at least a very small part of the human population a little better, in only three or four hours a week. And, as it turns out (as it so often does when you give of yourself), I get back unexpected appreciation and inspiration.

Although I can do without the nonagenarian’s pat on the butt.