Mag #225

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt

Go here to read the pieces about the image that others have written.

Sweet Summer 1912 -- John William Waterhouse

Sweet Summer 1912 — John William Waterhouse

The world is filled
with the sound of water,
the rustle of lives teeming
beneath a thirsty earth.
I languish among the peonies,
heavy with heat
the earth calling us all
to its measure.
Skin rises to tease the sun,
looses a brazen sigh.

Mag #218

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Mag 218. (Go there to read what others have written in response to this prompt.)

chair-with-the-wings-of-a-vulture 1960 salvador dali

(Chair With the Wings of a Vulture
1960, Salvador Dali)

Let’s hear it for our deities–
winged or haloed,
hanged or throned.
We want them to watch,
care, punish, save —
need them to blame
when tsunamis rise
and when bread doesn’t.

Mag 217

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

dog sofa

Mag 217 (Go there to read what others have written in response to this prompt.)

Your Perfect Spot

There is no better place
than this untrained oasis,
where medieval fancies
embellish instant facts,
urging the mind to weave anew
what lies, shelf-dormant,
among the dust.

Here your best friend waits
in rumpled comfort
for your return from silence
to the lively clatter of clutter ,
the ritual engagement with
the antics of digital cats.

Mag #216

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Mag #216. (Go there to read what others have written in response to this prompt.)

Finland 1968 George F. Mobley

Finland 1968 George F. Mobley

It is foolish to think you can fool April
with bright balloons and colorful plans,
gatherings of eager hearts.

April still knows snow, disdains
the hopeful smiles of children
who wait in vain for sunny play.

Rain is April’s message, prolonging
the held breath of May, promising
only a fool’s failure to remember.

Mag #215

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Mag #215 (Go there to read what others have written in response to this prompt.)

The King of Cats, 1935, Balthus

The King of Cats, 1935, Balthus


Cats assume their royalty and we comply,
grateful for a brush with imperial head,
pleased to be chosen to share what they will.

They order with a blink, a flick of tail,
and we serve their needs like slaves,
allow them access to our most intimate moments,
forgive their wanton carelessness,
accept the noble arrogance of their stare.

Cats are kings because they believe they are,
and they have convinced us
that it is in our best interest
to believe as well.

“Common Living Dirt”

We were all out digging and clearing today.

I come from a family of Polish farmers on my mother’s side. (My father’s side of the family were more educated and tended to be white collar workers in old Poland.)

I love digging in the dirt. It has to be in my genes. And that’s also probably why my son is now part owner of a herd of urban goats and just loves taking care of them.

And that’s why this poem by Marge Piercy is one of my favorites:

The Common Living Dirt
by Marge Piercy

The small ears prick on the bushes,
furry buds, shoots tender and pale.
The swamp maples blow scarlet.
Color teases the corner of the eye,
delicate gold, chartreuse, crimson,
mauve speckled, just dashed on.

The soil stretches naked. All winter
hidden under the down comforter of snow,
delicious now, rich in the hand
as chocolate cake: the fragrant busy
soil the worm passes through her gut
and the beetle swims in like a lake.

As I kneel to put the seeds in,
careful as stitching, I am in love.
You are the bed we all sleep on.
You are the food we eat, the food
we are, the food we will become.
We are walking trees rooted in you.

You can live thousands of years
undressing in the spring your black
body, your red body, your brown body
penetrated by the rain. Here
is the goddess unveiled,
the earth opening her strong thighs.

Yet you grow exhausted with bearing
too much, too soon, too often, just
as a woman wears through like an old rug.
We have contempt for what we spring
from. Dirt, we say, you’re dirt
as if we were not all your children.

We have lost the simplest gratitude.
We lack the knowledge we sowed ten
thousand years past, that you live
a goddess but mortal, that what we take
must be returned; that the poison we drop
In you will stunt our children’s growth.

Tending a plot of your flesh binds
me as nothing ever could to the seasons,
to the will of the plants, clamorous
in their green tenderness. What
calls louder than the cry of a field
of corn ready, or trees of ripe peaches?

I worship on my knees, laying
the seeds in you, that worship rooted
in need, in hunger, in kinship,
flesh of the planet with my own flesh,
a ritual of compost, a litany of manure.
My garden’s a chapel, but a meadow

gone wild in grass and flower
is a cathedral. How you seethe
with little quick ones, vole, field
mouse, shrew and mole in their thousands,
rabbit and woodchuck. In you rest
the jewels of the genes wrapped in seed.

Power warps because it involves joy
in domination; also because it means
forgetting how we too starve, break,
like a corn stalk in the wind, how we
die like the spinach of drought,
how what slays the vole slays us.

Because you can die of overwork, because
you can die of the fire that melts
rock, because you can die of the poison
that kills the beetle and the slug,
we must come again to worship you
on our knees, the common living dirt.

Mag #213

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Mag #213

windpeople
Pieces from a whole,
painted with fantasy,
hide an older history
of blood and scars —
the puzzle of memory.

No mythic glyphs or ruby slippers
no magic of moth or spirit of sage
can ever return
the Kansas Wind People.

when I was 20

I am looking through my pages of poetry, some written when I was in grade school, but I’ll spare you those. I wrote this when I had just turned twenty and was home from college during a part of the summer. It’s not great poetry, but it’s a great thought, I think.

on the boatbwhen I am old
I will not care for
rock ‘n roll
slopping
and jazz
bongos drums
beat poetry and
Kafka
Kerouac
Jake Trussell and
lifeguards with
sea-burnished hair
and convertibles.
but now I am young
and I know that all of these
will one day be
the cushions
on the couch of memories
on which I will repose
when I am old.

The Slop was a dance from the fifties. I had to google Jake Trussell and I still don’t remember why he was important to me back then. But I still like rock ‘n roll. And convertibles. And I’m still known to ogle lifeguards.

Mag #212

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Mag #212

My Bed by Tracey Emin

My Bed by Tracey Emin

Depression

It descends
without warming,
squatting on your chest
like the demon it is,
the weight of its message
holding mind hostage,
the detritus of being
rising like a moat around
the bed where you lay
beleaguered by fear.