remembering

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Photo With Red Raincoat
You stopped me, solitary,
half-way across the rain-slick bridge
— a moving figure locked into perspective
at the clear convergence of edges.
My red raincoat ripped a flowing wound
into the starkness of that day,
forced fire from the dulled planks
into the simple symmetry
of the steep reach between us.
I waited for you on that bridge,
waited for you to focus
on my place in the picture,
on my burning presence,
the unavoidable point of it all.
Now, I see with your eye
those peculiarities of misty space,
the risky walk over water
deceiving in directness,
the call toward an unfamiliar landscape,
the disturbance of that sharp
red breach in the bridge.
© Elaine Frankonis, 1991

Living Life Spherically

Second draft:

still life with lunch

I indulge my tongue with baguette and brie
and contemplate a miniature collection
of my life’s best metaphors,
captured in small wooden squares
framed, off-center, in an expanse of
off-white kitchen wall–
spiny shells and chunks of stone
bought or stolen from gritty beaches
and hallowed hillsides;
two miniature totem poles,
stacks of toothy masks eternally
divining and defying;
a ceramic face of serene Kwan Yin,
open hands inserted
in stiff maternal blessing;
a pious, pewter St. Anthony,
haloed, holding the sad Child, and
on the lookout for misplaced keys;
a feather, probably a duck?s
because the wild turkey’s didn’t fit,
and every altar needs a feather;
a brass double dorje, the mate
to the Tibetan bell I ring
in moments of turning
toward thoughts of a box-less future;
and, finally, a crumbling wine bottle cork
on which someone I can?t
remember had printed
in balky blue ballpoint:
Conundrum.

Elaine Frankonis 3/04

My life and my poetry — striving for art, settling for whatever it is.

“Live life spherically” is a line from Mona Lisa Smile — a movie a rather liked because it harkened back to my life as it was in the 50s (although I was a couple of years younger than those characters) and I felt good about not having made the assumptions that those girls made about being a successful female. And I really like that one line: Live Life Spherically.

Back in the 50s, being a helper, taking care of others, was not part of my life’s plan. Now it’s one of my primary functions.

But that doesn’t stop me from writing. At the moment, I’m wrestling with the first exercise for the NY State Writers Institute Advanced Poetry Workshop led by poet Eamon Grennon — to write three different 11-line (9 to 13 syllables per line) stanzas based on a assigned Vermeer painting.
A Google search located poems about paintings written by a variety of well-known poets. I find that I like this exercise.

I particularly like this poem by Wislawa Szymborska, “Two Monkeys by Brueghel”:

I keep dreaming of my graduation exam:
in a window sit two chained monkeys,
beyond the window floats the sky,
and the sea splashes.
I am taking an exam on the history of mankind:
I stammer and flounder.
One monkey, eyes fixed upon me, listens ironically,
the other seems to be dozing–
and when silence follows a question,
he prompts me
with a soft jingling of the chain.

Actually, years ago, I wrote a short poem about Renoir’s Peonies.

There are no blossoms real as Renoir’s Peonies.
No rose as red. No red as real.
I would have them for my lover’s table,
to bloom red
and real
as a heart
open
to the palette knife.

In the meanwhile, I’m also helping to make arrangements for a reunion of a dozen or so of my old Beta Zeta sorority sisters. Most of us haven’t seen each other in more than forty years. I know for a fact that one of them will be participating in the Republican Convention in NYC this summer. We shared an apartment with four other BZers the summer of 1958. That was after my freshman year in college and I didn’t want to go home so I took some courses over the summer. I was 18 and we were all politically liberal. I guess I’d better not talk politics at the reunion. Man, that’s going to be hard!!!

And also, meanwhile, I watch my mother grasp for words, sleep away afternoons, and fret over losing control of everything she fought so hard to hold onto.

Live life spherically. But don’t hold on too tight.

Headologist at Work

If you’ve read any of Terry Pratchett’s Disc World series and have met Granny Weatherwax, you know what “headology” is. If you’ve never heard of that crafty ol’ witch, then you can pick up its meaning here. I just finished reading the Equal Rites piece of the series, thanks to a recommendation made to me by Annie, who used to blog and now just comments.

If you’ve read this blog before, you know how attuned I am to syncronicities, which are essential to the practice of headology. When my life finds itself at a confluence of synchronicities, I take notice. I’m taking notice because of the confluence of the following:
–former blogger Annie turns me on to Pratchett’s DiscWorld series and Granny Weatherwax just when my world begins to focus on my own oddly-shaped (lumbar spine) disc.
–just after I get back from my brother’s with one of his books that includes using earth-symbols to make talismans, one of the six women in my group calls me up and talks about wanting to a Solstice ritual and can I come up with one.
Rage Boy sends out one of his emails prefacing the following with details of his escalating misfortunes:

…they are certainties barring miracles that I’ve now gone and said I don’t believe in. This puts me in an awkward position vis-a-vis the supernatural forces that might have bailed me out if only I’d been a little less cheeky all these years. Or perhaps they mightn’t have bothered in any case. After all, as Modern Psychology & Sticky Wicca inform us: it’s all our fault no matter what.

Well, despite my believing Shakespeare’s reminder about where the fault lies, and despite my irreverent non-belief (which is not nearly as irreverent as Mr. Locke’s), there are such things as unified strings and the power of intent and the forces of blogger headologies.

So, I’m doing my Crone thing (again) for Chris and inviting you all to join me on the night of the full moon, December 8 (which is also the Catholic feast of the Immaculate Conception), to post this image, this talisman, this mandala, this wish for a reversal of fortune for Rage Boy. Imbue it with your prayers, your most noble intentions, your good thoughts, and, where appropriate, your major magic.
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And may we all blessed be.

P.S.
In addition to the five-pointed star and a representation of the Great Earth Mother, the image above includes
–a double dose of the Wheel of Law and a chrysanthemum, which are Chinese talismans for health, wealth, and happiness
–a conch, which Vishnu holds in his right hand as a symbol of the five elements; the conch also is symbolic of the awakening of the mind.
–a white lily, symbolic of the purity of the Immaculate Conception (and other legendary things as well)
–the alchemical symbol for Jupiter , which

is the thinking person’s Planet. As the guardian of the abstract mind, this Planet rules higher learning and bestows upon us a yen for exploring ideas, both intellectually and spiritually. Intellectually speaking, Jupiter assists us in formulating our ideology. In the more spiritual realm, Jupiter lords over religion and philosophy. A search for the answers is what Jupiter proposes, and if it means spanning the globe to find them, well, that’s probably why Jupiter also rules long-distance travel. In keeping with this theme, Jupiter compels us to assess our ethical and moral values. It also addresses our sense of optimism.

Luck and good fortune are often associated with Jupiter, and for good reason. This is a kind and benevolent Planet, one that wants us to grow and flourish. Jupiter may be judge and jury, but it’s mostly an honourable helpmate, seeing to it that we’re on the right path. While our success, accomplishments and prosperity are all within Jupiter’s realm, this largesse can, at times, deteriorate into laziness and sloth (Jupiter, at its worst, is associated with weight gain). More often than not, Jupiter will, however, guide us down the primrose path

–so, there, holding on to the arm of Jupiter, is our own Rage Boy.
Hang on, bubula, hang on.

P.P..S. (I stumble across more synchronicities.)
The alchemical sign for Jupiter is the same as the sign for Tin.
The Tin Man in OZ sees emptiness where his heart should be.

And ten years ago, I wrote this:
Tin Men and Fallen Angles
I am drawn to the dramas
of Tin Men and Fallen Angels,
the loose threads of their dreams
tangling too easily
with the thickets of my own.
Their gestures hint at faded grace.
Their eyes belie
the freedom of their stride.
Their touches fire the sun,
birthing shadows
fierce as flame.
I fly into those shadows
like a bat
out for blood.

© Elaine Frankonis 5/1993

The Crone Evolution.

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These are my two grandmothers in the mid-1940s, when they were a few years younger than I am now.

That’s my mother’s mother on the left — the small, straight-backed, serious woman — the one who saved my life with her Old World medicine magic (see poem below).

My father’s mother is bigger, softer-looking, but was no less strong. She remembered growing up in Sklody, Poland, admiring her third cousin, who became the famous Madame Marie Curie. Strong women, all.

But how old they look to me now, even though, today, I am older than they are in that photo. Life was hard for them — very serious business, with five kids each and hard-working blue-collared husbands. They cooked well, cleaned well, and passed along to me their matriarchal genes — the blessings and curse of my crone heritage.

On this day of memory, I remember my grandmothers.

HEART OF ROM
Cyganka! My grandmother shouted
as I bounded off the front stoop
onto the wet city street,
propelled by the promise of stolen kisses
and the musky taste of Tangee
still slick on my lips.

Gypsy! Even the word
brought blood rushing
to the pit of my stomach.
How I wished for the wild hair,
dark eyes, skin like old copper,
for the freedom to gleam
like crystal when I walk,
for a wisdom ancient as the land,
as the sweep of continents,
the shriek of willful wind
through openings in stones.

Cyganka! She hurled it
like an epithet,
but I role it like a broom
over landscapes grown deaf to her fears.

She named me true, my Polish grandmother
— a small strong-handed woman
with gypsy fire in her voice
and a back turned straight
against truths too bold to hold.

Yet, they tell me once,
as I lay young and dying
lungs rattling with rifts of air,
fever lighting my face to flame,
(the doctor came and went,
scowling at the earth) —
in the draped and stifling room,
she unfolded her family secrets:
holy candles, crystal cups,
vials of spirits, leeches, as
my mother watched from shadow,
willing demons away with her eyes.

They tell me when the priest arrived,
surprised to find the child alive,
he never commended on the faint red circles
following the tender length of spine,
or the sprinkling of blood marks
along the back, like the bites
of mythic bats or the denounced
touches of wizened old wives.

And so I keep signs
of these grandmothers, still
–in fragrant herbs sprinkled in tea,
in shells and stones arranged on shelves,
in faint red circles, drawn in firelight.

Cyganka! I call to my daughter,
offering gifts of crystals
that fire the sky
where she walks.
(copyright EF 1980)