more unearthings

In the bottom of my jewelry box — a yellowing note from my once-husband that came with a statue of a traveling Buddha that he gave me after we split.
It begins with a quote from Sheldon Kopp’s Guru:

Though solitude and communion are both necessary and do in part serve to renew the depth of one another, a man must decide for himself at which point to give up one for the other.

In the corner of a file folder holding my various diplomas — a transcript of my grades for the 1958 – 1959 college semesters. Suffice it to say that I was much less than a stellar student. But I could hold more beer than most of the guys I knew. Ah, those were the days.

rooting around

Our offspring and I are rooting around in search of legacies left by my once-husband. He left boxes of memorabilia about his plays — from playbills to reviews, to posters — so those legacies are obvious. What is not obvious to our kids are the times in his life before they existed, and b!X, for one, is in the process of digging out his Dad’s military history — mostly because it appears that during that time period he changed from good Catholic to angry agnostic. I met him after he got out of the army, so I have no idea what transpired to precipitate that shift in world view.
As I’m rooting around in my — and my mom’s — old files, I’m finding glimpses of an old self of mine that I had forgotten in the lines of poetry I had written back when I was in high school. Those are the ones that my mother saved; I never gave them to her, so she must have gone through my teen-age dresser to find them when I was away at college. If I knew then that she was invading my privacy, I would have had a fit. Now, I’m kind of glad she saved them, because I never would have.
The Winter passes into Spring
The birds begin to sweetly sing,
And through the air the Church bells ring.
But, yet, I notice not a thing.
To me the world is cold and gray,
E’er in twilight, ne’er in day.
There’s nothing in my life that’s gay.
Happiness seems far away.

(Of course, in 1957, “gay” only meant “happy.”)
Here’s one from 1953. I was 13.
The land is so dry, it’s all just a waste.
We’ve no water for days, no food to tatse.
The sand on the desert is not food to eat.
Even the cactus furnish no meat.
The sun is so hot and oh so dry.
The hot breeze in our ears whispers
“Die……dry…….die!”

I don’t know if it was adolescent angst or if I was depressed even back then, but here’s one I wrote when I was 18.
I hear the dreary, mournful refrain
Of the steadily falling downpour of rain.
Not the rain of a wild and stormy night,
With furious streaks and flashes of light,
With tormenting winds of passionate force
And eerie outcries from an unknown source.
Not the kind of rain that rises from hell
And holds all the world in its magical spell.
Not the kind of rain that’s so torrid and splendid —
That you still stand in wonder even after its ended.
And still not the rain that’s mellow and mild
As sweet and refreshing as the smile of a child.
Not the shower that calls all of nature to waken
With gentle caresses that leaves all unshaken.
Not the rain that makes every creature feel new.
Not the rain that leaves the world sparkling with dew.
But a gloomy depressing curtain of gray
That covers and hides all the brightness of day —
A shroud of depression, a mist of despair,
A cloak of discouragement, everywhere.

OK, so there’s lots of trite phrases and rhymings. After all, my high school education was in a Catholic school, where in our senior year the big piece of “literature” we read was “Father Malachy’s Miracle.” What I can’t help noticing, though, is my focus on the dark side of things. Even then.
Here’s one I like. I must have been a freshman in college when I wrote it:

If I were to choose my own heaven,
It would be forever Spring,
    with no bugs
   and plenty of food
   and books, books books
   and a rock ‘n roll band on weekdays
   and a jazz band on Sundays
   and people people people
   and all of them would be college graduates.
If I were to choose my own hell
it could be no worse
than boredom.

I think that my once-husband would have chosen the same kind of heaven. Except for the “people people people” and probably the “college graduates.” He was never bored in his own company. Unlike me.
Finally, I wrote this when I was 20. Apparently, I knew that one day I would be rooting around.

Twenty is Young
When I am old
   I will not care for
      rock ‘n roll,
      slopping
         and
      jazz
      bongos drums
      beat poetry
         and
      Kafka
      Kerouac
      Jake Trussell
         and
      lifeguards with
      sea-burnished hair
      and convertibles.
But now I am young
      and I know that all of these
      will one day be
      the cushions
      on the couch of memories
      on which I will repose
When I am old.

Note: The Slop was a dance from the fifties. I had to google Jake Trussell and I still don’t remember. But I still like rock ‘n roll. And convertibles. And I’m still known to ogle lifeguards.

picturing it

I am going through my photo albums, looking for photos of my once-husband from the old days. I was surprised to discover that I only had one of both of us with our kids, and that one was from back in 1970. b!X has posted it on his blog. There are lots of photos of our kids, but few of us together.
I did find one photo of the two of us from our beer-partying college days.
beer.jpg
I’m hoping that, as word spreads among our long-time-ago friends, they will look and see if they have any old photos of Bill and send them along. I know that our offspring would love to have them.

down but not out yet

What is my problem!!
The sun is out, my seedlings are thriving, I’m taking my 60 milligrams of happy pill every day, we have hospice available (including a social worker for moral support), and my mom is still sleeping a lot.
I should be feeling a whole lot better than I do. I shouldn’t be feeling this “stuck.” I should have more energy.
Maybe I have spring fever. Maybe it’s the just-past full moon. Maybe the loss is greater than I thought.

Elevator
Jim Culleny
Be still in a field of
slowly falling snow
and renounce focus
Peer into the distance
to where the hare
hunkers under a log
and the coy dog
waits for it to move
Let a billion dropping flakes
inundate your vision
unselfconsciously
and find yourself rising,
taking the forest with you,
taking it all,
riding the snow-snuffed
woods into a gray sky,
levitating at the pace
of cool, languid
precipitation,
rising gently weightless
with pine and spruce
and the white-clad carcasses
of busted oak and ash
and every crystal-buried
stalk of undergrowth,
—the graygreen scales of lichen,
the silent future of mushrooms
underneath awaiting
the blessed touch
of damp and sun,
take with you the lights
of a distant house
and the wisps that unwind
from its chimney
like tendrils of love
of a blazing heart,
find yourself rising
unfettered as a hawk on a thermal
a dandelion tuft on a whistled breath
a balloon let loose from the grip of a child
ride upward,
easy,
weightless as a well-lived
soul


The above from one of Jim Culleny’s daily poetry emails.

in memory of myrln

My once-husband was my Monday guest blogger, Myrln (AKA William A. Frankonis), who passed away lalst Thursday. In honor of his memory, our daughter asked me to post the following, which she found in his extensive files of his own writings. He doesn’t have to be here to be here.

Lessons from the Wonderground: a Father to his Children

ONE
Try not to hurt anyone, which includes yourself.

TWO
Try to make yourself whole, knowing all the while that’s a lifelong process.

THREE
Be true to yourself, whatever that is at the time, for like everything else, your self changes.

FOUR
Speak out against wrong, however you define it and no matter who is the culprit.

FIVE
Honor children and always listen carefully to them; they are all smarter than we credit them and beyond you, they may have no voice but yours.

SIX
Find and honor all the wonder in all of Nature and in all of yourself, and reconnect, for you, too, are a part of Nature.

SEVEN
Keep close to family, blood or otherwise, for you are, and always will be part of each other.

EIGHT
Remember the dead in your heart, but honor life and the living with your time and attention because afterwards it is too late.

NINE
Laugh often, cry as necessary, fear what should be feared, love deeply, hurt when there’s pain, be courageous, know the holy value of breathing and of everything else that makes up living.

TEN
Find and regularly visit the stillness at the heart of life.
I love you dad.
namaste

a letter to the dead

Dear Bill,
“..a bit of sun and the touch of love’s hand,” you wrote once in your script about “Myrln.”

That’s what we had yesterday when we gathered to pick up your ashes and bring them home. I know that you will appreciate the plans to temporarily keep them in the old Orville Redenbacher popcorn tin that you kept on your bookshelf. We are making plans to gather again this summer to take you where you found the most peace and comfort and leave you to the gentle rocking of Mother Sea.

It was a beautiful early spring day sandwiched between those wet and gloomy days April often brings. We took you to lunch. Well, we left you in the car while we had lunch. Here we are, leaving the restaurant. Not me, of course. I was taking the picture.

afterlunch2.jpg
And then we went back to your apartment, got a bat and ball and went out into the sunny field to play. There was lots of sun and lots of love. We felt your spirit there with us, popping the ball and chasing it out into left field. I was too warm in the sweater I had worn, so I went back to the apartment and changed into one of your shirts. I hope that was OK. I guess it’s too late if it wasn’t.

“We’re a quirky family,” Melisa commented to a strange look from the funeral director after something she had said.
We all took something of yours before we left (although we will be back in a week or so to manage what needs to be saved from the complexities of memories you left behind). I took the little laughing Buddha as company for the traveling Buddha you gave me so long ago. I also took a little side table with a tiled top painted with two flowers that look kind of like anemones. That is going to become my altar space. I think that would be just fine with you.
There are so many chores I should be doing now that I’m back here with my mother. Instead, it sit alone at my computer and write and cry.. You would understand that.

I wish we had had more time with you — a lot more of Myrln’s magical
bit of sun and the touch of love’s hand

love,
your wacky once-wife, Elaine

“seated on waves”

For Bill, who will soon be seated on waves.

The Same
Pablo Neruda
It costs much to grow old:
I’ve fondled the Springs
like sticks of new furniture
with the wood still sweet to the smell, suave
in the grain, and hidden away in its lockers,
I’ve stored my wild honey.
That’s why the bell tolled
bearing its sound to the dead,
out of range of my reason:
one grows used to one’s skin,
the cut of one’s nose, one’s good looks,
while summer by summer, the sun
sinks in it’s brazier.
Noting the sea’s health,
its insistence and turbulence,
I kept skimming the beaches;
now seated on waves
I keep the bitter green smell
of a lifetime’s apprenticeship
to live on in the whole of my motion.


Coincidentally, this is a recent one of Jim Culleny’s daily poetry emails.

four-day earworm

A song from the fifties, I think, keeps running through my head. It’s been there for almost a week now. I can’t find it anywhere on the net, but, of course, I don’t know the actual title. I remember the first line and the tune.
“You’re my first love, and you’ll be my last love….”
Any of you who remember the fifties know that song?
ADDENDUM: Thanks to Cora, who left a comment, I now know that the song is “Soldier Boy” by the Shirelles — which is appropriate, since I met Bill just after he got out of the army and returned to the college where I was also a student.

William Frankonis, dead at 70

I wasn’t there this afternoon when my daughter gave permission to turn off the breathing machine and my ex-husband, her father, took his last artificial breath. I was home, getting ready for the Hospice nurse’s visit tomorrow to assess my mother.
But I was with him for more than a day before that, when he told me had had an earworm for the past several days.
“Bloody Mary,” he said smiling, as we remembered the production of South Pacific in which we performed together more than 35 years ago, he as Lt. Cable, and I as Liat.

cur-kali.jpg In the back of my smile, I think about another bloody female. Kali: birth mother; death mother, tongue redder even than betel nuts. She had wormed in far beyond his ear.
He understood my fascination with Kali, Lilith. He might have used other names for those forces, but he knew them well. That was part of what we always had in common — our immersion in the poetic power of myth. “Myrln” understood magic. Our son tells me that, for a couple of days before I called to tell him to get on a plane, he saw three crows chasing a hawk. Bill would have embraced that metaphor.
“There’s one thing I really have to do,” he had told me in between dozing off in his recliner just two days ago. “I want to write down how I feel about all those people who have been close to me. I know that I’m a very private person. I know that I’ve played my life close to the vest. I want to tell them how much they mean to me.”
But he never had a chance to write that last piece of his special eloquence. He also never had a chance to enjoy that first day of 70 degree weather after the long dreary winter that he hated so much.
Nevertheless, the depths of his feelings had been expressed often in the many scripts (some performed and some not), memoirs, and poetry that he had written over his lifetime. His original stage play, The Killings Tale, won a audio book “Audie” in 2004.. His adaptations and original scripts have often been performed by the New York State Theater Institute.

Warner Music Group awarded NYSTI $400,000 in 1996 to develop five new musicals for family audiences. The first of those was “A Tale of Cinderella” by W.A.Frankonis, Will Severin, and George David Weiss, made possible in part by funding provided by Warner Music Group and by the participation of Warner/Chappell Music, Inc. An immediate success, the award-winning show is available as an Atlantic Theatre CD or cassette and has been re-released on VHS as part of Warner Home Video’s 75th Anniversary Celebration. Vocal Selections from “A Tale of Cinderella” is available from Warner Bros. Publications. The video was broadcast nationwide on PBS stations to an audience of more than 56 million TV households (half of potential US audiences). In the 2000-01 Season, “A Tale of Cinderella” toured all the major cities of New York including Buffalo, Syracuse, the Capital Region, and Manhattan.

His life and work will be remembered by a great many people. But I will remember him as the young man I married in a flurry of passion and possessiveness even though in many ways we were oil and water. We wound up being better friends than spouses.
I will miss his political rants and the books he would send me after he read them. I will miss the father he was to our children. I will miss a friend, and I will always be glad that I was able to be there for him when he needed help so close to the end of a life ended too soon.
ADDENDUM: b!X has posted excerpts from his dad’s willl and it is no surprise that Bill used the same humor, honesty, and creativity in writing his will as he had with all of his other writings.