Back in the Saddle

It’s been about 25 years since I did my last public poetry reading, but I’m gathering up my courage and doing one tomorrow at the Springfield Library. Believing that you “have to get them at ‘Hello!'” I’m going to start with this one. (I just hope that I can pull it off.)

An Old Lady Raps Back

you don’t see me
not really
with my edges
grown soft and my
curves gone
to middle thick.

I see that your eyes
don’t stick on my face
laced with time’s
weary tricks.

I’m invisible in your world
of constant noise and sullen bluster,
all the anger you an muster.

I know you got it tough
rough — never enough.

You think that’s new?
I grew my thick skin
long before your tiny hide
slid into snide and sin.

Oh, I know your words —
I was talking hard
long before your sorry ass
passed its first gas.

But I make a choice of voice
to mold a tighter tone
to pose a clearer tune

And then I stand and roar
more than you even think
to know.

Remembering Convict #9653

I have always hoped that the human race would evolve beyond greed and self-interest. Of course, there’s nothing in our human history that shows that there’s any hope of that happening.

I’m thinking about the

turn of the century 1900, the era of extreme capitalists, sometimes referred to as “Robber Barons,” that consisted of the very wealthy and everybody else. Those 1% of the 1% fought hard to keep regular people as poor as they could, and they kept every penny they squeezed from the working poor. (Remind you of another time, say … recently? Hmmm.)

I am thinking about Eugene Debs, who fought for the rights of the working class to organize and strike and who founded the Socialist Party. Eugene Victor “Gene” Debs was an American union leader, one of the founding members of the Industrial Workers of the World, and five times the candidate of the Socialist Party of America for President of the United States

I think that it’s important to note that:

He refused to allow the Socialist Party to join forces with the various Communist parties that were active at the time, believing that the more moderate Socialist Party platform would win more hearts and minds. Considering that we now take for granted a lot of the things it fought for, the platform was radical for the time. It included:
A minimum wage
An end to child labor
Rights for black Americans
Improving working conditions
Increasing the number of people who can vote

On June 16, 1918, Eugene Debs delivered his final speech before heading to prison. As World War I raged on across the world, he spoke these words near a jail where several of his fellow Socialist Party acquaintances were housed for “antiwar agitation.” 1,200 people attended the party convention. He took advantage of the audience, and the moment in history, to speak to the crowd….His words were later used to sentence him to prison for 10 years. It was from there that he received nearly 1 million votes for president in 1920, running as simply Convict No. 9653.

“These are the gentry who are today wrapped up in the American flag, who shout their claim from the housetops that they are the only patriots, and who have their magnifying glasses in hand, scanning the country for evidence of disloyalty, eager to apply the brand of treason to the men who dare to even whisper their opposition to Junker rule in the United Sates. No wonder Sam Johnson declared that “patriotism is the last refuge of the scoundrel.” He must have had this Wall Street gentry in mind, or at least their prototypes, for in every age it has been the tyrant, the oppressor, and the exploiter who has wrapped himself in the cloak of patriotism, or religion, or both to deceive and overawe the people.

[snip]

But they themselves did not go to war any more than the modern feudal lords, the barons of Wall Street. The feudal barons of the Middle Ages, the economic predecessors of the capitalists of our day, declared all wars. And their miserable serfs fought all the battles. The poor, ignorant serfs had been taught to revere their masters; to believe that when their masters declared war upon one another, it was their patriotic duty to fall upon one another and to cut one another’s throats for the profit and glory of the lords and barons who held them in contempt. And that is war in a nutshell. The master class has always declared the wars; the subject class has always fought the battles. The master class has had all to gain and nothing to lose, while the subject class has had nothing to gain and all to lose — especially their lives.

They have always taught and trained you to believe it to be your patriotic duty to go to war and to have yourselves slaughtered at their command. But in all the history of the world, you — the people — have never had a voice in declaring war. And strange as it certainly appears, no war by any nation in any age has ever been declared by the people.

And here let me emphasize the fact—and it cannot be repeated too often—that the working class who fight all the battles, the working class who make the supreme sacrifices, the working class who freely shed their blood and furnish their corpses, have never yet had a voice in either declaring war or making peace. It is the ruling class that invariably does both.

They alone declare war, and they alone make peace.

Yours not to reason why; yours but to do and die.

That is their motto, and we object on the part of the awakening workers of this nation. If war is right let it be declared by the people. You who have your lives to lose, you certainly above all others have the right to decide the momentous issue of war or peace.”

Check out the Democratic Socialists of America: Democratic Socialists believe that both the economy and society should be run democratically to meet human needs, not to make profits for a few. We are a political and activist organization, not a party; through campus and community-based chapters DSA members use a variety of tactics, from legislative to direct action, to fight for reforms that empower working people.

an old poem

Every once in a while, I scroll through this blog, re-reading stuff I wrote and forgot. Today I found this short poem.

Some say the world will end in fire,
a sudden spike of life and then the glory.

But for her, it was a slow fall into
the cold of oblivion, the bones of her face
sharding like ice, her fingers blue crystals
clutching frigid white sheets,
sliding toward the final winding.

Had my mother lived, she would have been 99 this month. But it’s good that she didn’t, given her severe dementia at 94. A longer poem I wrote about that has been accepted by Caregiver magazine.

The Gypsy Coat Tale

I gave my writing circle the prompt “the coat was shabby.” And I gave them a challenge to use strong verbs and specific nouns. As I began to write my response to that prompt, I decided to put it someplace in history and do a little research for details. This is my result, my first ever try at historical fiction:

artdecodesign

The Gypsy Coat Tale

The coat was shabby, but its aspect still spoke of nights thrown over a naked shoulder at a smokey Montparnasse cafe, or tossed onto the back of a scarlet sofa at a late night Paris salon. Its stained fabric revealed a careless pattern of absinthe, bathtub gin, and the mascaraed tears of its most passionate devotees.

They say it once belonged to Nina Hamnett, self-proclaimed and notorious “Queen of Bohemia,” who wore its gold satin lining next to her skin while she danced shimmering lights into the weave of the rich silk brocade. On those nights, the coat created its own melody, a mesmerizing harmony of color, texture, and pattern, the timeless echo of a Siren’s song.

Legend has it that the coat was created by the two Japanese weavers and the Gypsy woman whom Hamnett befriended during her brief stay in Paris before the war started, before everyone folded themselves into enclaves of creative ferment or else fled to the safer shores of England and America.

And that, they say is how the coat finally wound up in the window of the Fifth Avenue Parisian boutique on the afternoon that Zelda Fitzgerald walked out of New York City’s Palais Royale Hotel in search of the perfect evening dress.

She did find the perfect dress: a long black beaded silk with a sheer back that dipped down to her tailbone. But is was the coat that took her breath away – the coat and the legend and the fantasy.

The multicolored floral brocade boasted gleaming gold threads that reflected the bright city sunlight. Elaborate scrolls etched its lush black velvet cuffs and ankle-skimming border. A face-framing swath of black fox, added as an afterthought, brought the coat to the level of a work of art.

By the time I rescued the coat from the empty corner of my spinster aunt’s nursing home closet, its shabbiness was well-earned, having been Zelda’s constant companion through her bi-polar adventures played out over two continents and two decades, until both she and the coat began to unravel.

My aunt had been a nurse at the Highland Mental Hospital in Asheville, North Carolina, where Zelda spent her final years capturing on canvas the remaining bright colors of her memories and telling my aunt the elaborate coat-tales that fed her lonely dreams of prodigal nights ablaze in the heart of a drowning Jazz Age.

Just days before the hospital fire that took her life, Zelda gave my aunt the coat to wear to a costume party.

And so the Gypsy Coat was retired to the back of my aunt’s closet, although she always took it with her whenever she moved, unable to dispose of its vibrant history. The Gypsy Coat is mine, now, to ponder on the relic that it is – a remnant of legendary lives lived with creative abandon, dazzling artistry, and deadly excess.

artdecodesign

The day after I wrote this, as I was watching a “Friends” rerun with the family, Phoebe appeared wearing the coat I had described the day before.

gypsy coatbI love it when stuff like that happens.