Five years ago, I crocheted something for “The Snatchel Projet” and posted about it here. (And you can see a photo of what I made.)
This is how I started the post:
What’s a “snatchel”?
Before I get to that, let me just explain that I have in my life marched in protests carrying banners with symbols proclaiming my positions on critical issues. During the wartime 70s, I sewed a gigantic “Peace” banner and hung it from a tree limb that hung over our driveway. I believe in the power of symbols. I believe that sometimes you have to get in the faces of those who refuse to hear what you’re saying.
Symbols are powerful. While you might not be interested in reading this book, the cover says it all. It worked in Poland.
I would love to come up with another project that uses images and symbols to further the cause of the Resistance — something that we can send to legislators (knit, crochet, draw…) and post various places that would be a shout-out of our Crone voices. I’m looking for ideas and collaborators.
How can we add our creative resources to help stem this tide of fascism that will ruin our nation for sure. Yes, there are efforts being made by those with some governmental effect.
But we have to keep giving the symbolic finger to remind those who have stolen our power to uphold our American values.
I think that I have pretty much given up trying to make my own edibles because I can’t seem to get the dosage right. Of course. everyone is affected differently, so it’s trial and error. I also wish I could get the leaves rather than just the buds. Edibles baked with buds have a strong skunky flavor. I don’t remember that happening when you use the leaves.
So, if you are going to start trying to use Medical Marijuana for insomnia, I suggest starting with the caramel nuggets, and the most cost effective way and easiest way to use them is to cut each 50 mg nugget into four or five pieces and suck on one before you go to bed. That is what is working for me. Not all dispensaries carry a wide variety of ways to consume Medical Marijuana, although all seem to carry capsules and lozenges. I just didn’t want to swallow capsules.
Between 10 mg and 12.5 mg of Indica seems to be enough to help me fall asleep and be able to go back to sleep after I wake up to go to the bathroom. It works better than any prescription medication I have tried.
So, for now, this tour is taking a break, since this dose and product seems to be working for me. If I have any great subsequent revelations, I will post them here.
I do have to report that one night I accidentally took a double does (didn’t cut the nugget correctly) and really tripped out. The worse part was panicking because I was alone in my bedroom on the other side of the house from everyone else and felt very disoriented. Suppose I got a heart attack! I was afraid to get out of bed because I was dizzy and the walls were circling around me. I learned my lesson. All I want to do is be able to sleep; I guess I don’t like feeling that much out of control any more.
Since I moved in with my daughter and family about five years ago (they are my assisted living arrangement), I have not done much cooking or baking. I never really did much baking anyway, but so far I’ve made two tries at pot brownies and one at cookies. I thought that buying the actual buds and baking my own edibles would be cheaper.
Before I did any baking, I ground up the Indica strain buds, slow heated them in coconut oil for hours, and then used the oil for the baked goods. That is the simplest way to do it. The most elaborate, and supposedly the most effective, is the Rick Simpson method, which up until last week, was a secret. Simpson makes his oil using the leaves as well as buds and begins by immersing them in a solvent. At the moment, the only place that you can buy Rick Simpson Oil is in California. I have decided that, even with my short cut version, not only is making the oil too much work; its impossible to figure out how much oil to mix with how much weed and equally impossible to ever know how potent the result is going to be.
Not only did my baked goods have an underlying skunky smell, but I had to eat too many of them to feel any effect of relaxation. And they didn’t taste that good either, whether I mixed the gunky residue in the the batter or not. I’ve given up on making my own oil and baking brownies.
I wish that I could grow my own plants. All I would need is a couple of them. But, in Massachusetts, you can only grow a few plants if you are disabled or can’t get to a dispensary, or are very poor. So much for legally growing my own. So, back I go to the dispensary.
As soon as I step through the door, I feel like Alice in Wonderland.
Each time I go, the “menu” is different, with different strains available with names such as “Amnesia Haze,” “Afgooey,” and “Sour Tsunami X Cataract Kush.” The “Edibles” on the menu are usually the same: chocolate bars, caramel nuggets, and lozenges. There’s tincture that I would consider, but it’s not available in the Indica strain (which is for relaxation). This time they also are advertising some kind of “shake,” but I don’t bother to ask.
Instead I get into a discussion about the menu with a gray-bearded guy in line ahead of me. He does the caramel Dose Nuggets, he says. I look at the prices. They are the same as the lozenges, which I have tried and don’t like. The capsules are $4 each at the lowest dose. I don’t like swallowing capsules at bed time, and I’m still playing around with “cost vs benefit.”
I notice that the caramel nuggets come in 50 mg doses as well as 10 mg. I look at the price of each and start doing some math. An individual 10 mg nugget is $5. A 50 mg nugget is $15, and if I cut it into five pieces, that would give me five 10 mg doses ($3 a piece). It’s a lot cheaper to cut up the bigger nugget, so I that’s what I get, enough to cut up and last me for several weeks. I also buy a cannabis chocolate bar to try. What the hell, right?
I’m on Facebook with Grannies for Grass, and they post frequently about research success in the use of medical marijuana to treat and minimize the symptoms of various illnesses, and that is where I find all kinds of good information.
For example, it’s important to understand that marijuana/cannabis is composed of many different cannabinoids, CBD and THC currently being of the most interest to the medical community.
I am willing to bet that researchers will eventually find that it is the synergy between the CBD and THC that is really responsible for whatever cures happen.
CBD can be bought online via any number of sites. It is legal. It doesn’t have a psychoactive effect. It doesn’t taste great in its most potent and least expensive oil form, so it’s also available as other flavored products, such as tinctures — which then dilute the potency. The place from which I ordered my CBD oil has lower prices if you have a medical marijuana registration card, which I do. But it is available to everyone. Just have your credit card handy.
I bought the bad tasting CBD oil, since I am used to the taste of herbal extracts, which often taste like dirt. And it was the least expensive of the oils they have to offer. Mine came in a needle-less syringe marked to indicate ten doses. Each dose of the very thick oil (the consistency of Vaseline) is about the size of a baby pea. I don’t take it every day, and I don’t know if that makes a difference in terms of its purported ability to prevent and heal disease. I’m experimenting. It’s part of the Tour.
The medical marijuana I buy at the dispensary is the usual kind that contains THC, CBD, and all of the other cannabinoids. And that’s where this Tour really takes off.
I have discovered that marijuana buds smell skunky. (I don’t remember that about the leaves, but my last connection with those was more than 20 years ago.) And so a vague haze of that smell permeates the dispensary and wafts out as I am buzzed through the door into the small, locked entrance foyer, where I have to show my official marijuana registration card and driver’s license. After the happy young man finds me on the computer and buzzes me farther in, I am greeted by a long line of fellow travelers awaiting their turns at the upscale glass and chrome counter. It looks kind of like a cosmetic store, with light wood paneling, recessed lighting, and glass display shelves featuring bags of edibles, oddly shaped paraphernalia, and samples of the assorted fuzzy-looking green buds. At least five “associates” are busy behind the counter, helping customers choose among the offerings, which include actual buds of miscellaneous strains, lozenges, chocolates, capsules, and lotions.
When my turn comes, my identification papers are checked again, and my legitimacy confirmed by the computer. “It’s my first time,” I tell the smiling, attractive middle-aged woman. That is her cue to ask me what ailments I am treating give and me a run-down of what is available that might help. She hands me a menu with descriptions and prices.
At first I am overwhelmed by “sticker shock.” $5 per lozenge. $50 for 1/8 oz of bud. $100 for 1/4 oz. There are also capsules (30 for $100), vaporizer cartridges ($25 each), and pre-rolled joints ($15 each). And you can only pay with cash, a debit card, or as a cash advance with a credit card. A prescription med would be a lot cheaper; unfortunately, the many I’ve tried either don’t work or have side effects to which I don’t want to subject myself.
I did my homework before I arrived, so I think I know what I want. There are two major strains of marijuana: indica and sativa. The former is “prescribed” to help with relaxation and sleep (also inflammation and pain). The latter is supposed to rev you up and help alleviate various physiological symptoms. The choice for my insomnia is obvious.
I also know that I don’t want to smoke it or vaporize it, so I go with the lozenges. 10 of them. $50. I will try them, but there is no way I can afford to buy enough to use them for a month of sleepless nights. Who knows if they will work, anyway.
(Stay tuned for my adventures in ingesting Medical Marijuana)
It’s been a while since I’ve posted anything here. Whatever I might rant about (corruption in politics, corporate mortal sins, our malfunctioning Gestapo) is being satisfactorily covered by my Facebook friends. My goal here has always been to deal with my own interests from, what I hoped was, unique perspectives. Whether explaining how to fix t-shirts so that you don’t have to wear a bra, or chronicling my mother’s five last days, I tried to share an authentic experience, told from my gut and my heart.
The challenge, lately, has been to find something I want to share with authenticity and guts and heart.
I will be 76 in another month or so, and my life as an older person is nothing like I imagined, in both good and bad ways.
One of the bad ways is that I have had really bad insomnia since the fall of 2014. I’ve tried just about everything available — prescriptions, OTC, herbal concoctions, TENS stimulation, exercise, meditation, visual imagery. Some worked for a while then stopped and some never worked at all.
When the state I live in, Massachusetts, legalized medical marijuana, I decided to give it a try. And also to blog, from my unique perspective as a “gray lady,” about this new adventure.
I don’t know where it will take me. Will take us. Keep in mind that I’m not a very private person; I tend to put it all out there, and, as usual, you will probably learn more about me than you really want to know. Or not. What I hope is that my experiences will shed some light on how medical marijuana might enhance the lives of the elderly, whether to help us deal with insomnia, or pain and inflammation, or simply to help us just feel all-round better.
I will try to link to specific and factual information where appropriate. But mostly this is about me. Because, you know, it’s always about me.
He was a crowd favorite at urban poetry readings, especially at the former punk club QE2 on Central Avenue, where he screamed his edgy and ironic “White Boy” poems — often completely naked. Occasionally, he wore a baseball catcher’s mask to go with full-frontal nudity.
Such is how my once friend and colleague, Paul Weinman, is described in a tribute posted in the Albany Times Union today. He just died from the complications of Alzheimer’s. He was 75 years old. The newspaper piece celebrates Paul’s delightfully skewed lifestyle and creative pursuits and is an entertaining read even if you never knew him.
I met Paul when I began working at the New York State Museum in 1980. He already was a fixture and a legend in that institution, often annoying the staid administrators with his controversial off-site antics, while, at the same time, becoming a beloved and entertaining teacher in the Museum’s educational program. Parents and kids alike flocked to his workshops based on the Museum’s exhibits, and inner city neighborhood kids would show up in the Museum after school hours just to hang out with Paul and be entertained by his adventurous historical tales and re-enactments of life in the wilderness of the Adirondacks. He treated all kids with respect and affirmation; he dealt with adults with honest response to the way in which they dealt with him; he responded to the hypocrisies of every power structure with naively gutsy irreverence.
My professional path crossed with Paul’s because we were both poets in an institution that shared a building with the New York Sate Library and Archives and that often held literature-related events. Together, Paul and I organized and hosted the Museum’s annual “Banned Book Week” public readings. We held ekphrastic poetry events in conjunction with Museum art exhibits. We worked well together as colleagues supporting the educational mission of the New York State Museum.
Outside of our jobs, as part of the Albany poetry community, we came to know each other as writers, although our styles — in both content in presentation — had very little in common. As a challenge to my more conservative bent, one day Paul suggested that we do a collaborative poetry chapbook that explored male-female sexual tensions. I would write a poem and then he would write a poem in response. We would go back and forth like that until we had enough for a chapbook. Paul would print out and staple copies of the chapbook and then distribute it, for free, around the area, as he did with all of his poetry projects.
The whole idea was way out of my comfort zone, but Paul was pretty much an icon in the local poetry scene, and I was intrigued by both him and the challenge.
This is what the cover and back page our chapbook looked like. “Fruits of the Harvest Press” is just the name Paul gave to his own personal printing and distribution system. There’s no date on the publication, but it probably was in the late 1980s.
It took me a while to figure out how to approach the subject of sexuality, but I found a way to do it my way: through food metaphors. Hence the title: “Eating Disorders and Other Mastications.” My first effort was inspired by a Thanksgiving turkey neck.
something about turkey necks,
gizzards nestled in palm of hand,
stroked with oil,
until firm, juice-laden,
ready for needing,
fine night dining,
And we went on from there, as I branched out from the food metaphors into other expressions of female sensuality and Paul responded with blatant come-ons such as this, which became one of his famous “White Boy” series:
IN QUIVERS OF INAD-
EQUACY, WHITEBOY TRIES
BUCKUP UP HIS IMAGE
AS HE STRUTS FOR ELAINE
A. autographing pens
strapped to hips
B. rakish hat
C. boots tooled
with female in-
WHITE BOY TRIPS…
POLEVAULTS ON THAT
POINT HE’S TRYING 2
GET ACROSS: ARRESTED
4 SEXUAL HARASSMENT
My relationship with Paul never moved beyond friendship, although as a willing participant in Dionysian revelry, he might have taken it in that direction. But as attracted as I often was to “bad boys,” Paul was way out of my league in that arena. Plus I got to know Paul’s wife at the time, Judith Braun , a talented visual artist who really didn’t come into her own until she divorced Paul. I liked Judith, enjoyed the bohemian parties they threw, was energized by the creative energies with which they always were surrounded. Paul caused me to stretch the boundaries of my writing and my perceptions of what is acceptable to me in both words and life.
Paul loved the lore of the Adirondacks, and he spent the last five years of his Alzheimer-ridden life making miniature chairs out of tree branches. As the newspaper tribute reports: He built miniature chairs in the Adirondack twig furniture style and left them anonymously around town with a note: “I’m an orphan chair. Please take me home and put a stuffed animal or plant on me.”
I don’t know his latest wife, but I’m going to try to contact her to see if I can get one of those chairs to hold a plant in my garden and hold his memory in my heart.
I am absolutely intrigued by every one of her images in these two portfolio pages , and sent her three responses. I don’t now whether or not she will use any of them, but I like the combinations so much that I am sharing them here:
(Addendum 9/17/16: This poem is being exhibited next to the collage at Geersten’s exhibit as the Mesa Art Center in Arizona.)
She follows the lead
of the lone snow goose
released from the burden of flock —
a warrior in white and Mary Janes,
astride a steed from dreams.
Such is the muse that carries her,
along with miracles of fragrant earth,
safe across the deep seas of memory.
It is always there,
over her shoulder,
both threat and promise —
a whisper in a wind
that can send her flying
finally, into a landscape
devoid of browns and
navy blues, a rainbow
of wildflowers and sunlight
and a bright hint of birdsong.
If she sits, still enough,
breath held and ready…
wait for the moment….
wait for the moment…..
Sometimes it gets into a girl’s head
to wield staff instead of broom,
to stand like a stag in morning mist —
antlers the crowning touch —
to command with eyes devoid of fear,
demanding safety and serenity,
the sovereign right of rulers
to craft their own lives.
It’s been about 25 years since I did my last public poetry reading, but I’m gathering up my courage and doing one tomorrow at the Springfield Library. Believing that you “have to get them at ‘Hello!'” I’m going to start with this one. (I just hope that I can pull it off.)
An Old Lady Raps Back
you don’t see me
with my edges
grown soft and my
to middle thick.
I see that your eyes
don’t stick on my face
laced with time’s
I’m invisible in your world
of constant noise and sullen bluster,
all the anger you an muster.
I know you got it tough
rough — never enough.
You think that’s new?
I grew my thick skin
long before your tiny hide
slid into snide and sin.
Oh, I know your words —
I was talking hard
long before your sorry ass
passed its first gas.
But I make a choice of voice
to mold a tighter tone
to pose a clearer tune
And then I stand and roar
more than you even think
Well, I say I know her, but she’s really a friend of a Facebook friend. Well, I say that she’s young; she’s really my daughter’s age — just over 50. It’s all a matter of personal perspective.
Anyway, this young woman is very ill with a disease of the blood and will only get worse. She is very smart and creative and well-known and respected in the technical information/education publication world. That is not a world I know. I only know about her. And I only know about her because there is something in her brightness and bravery that moved me and made me want to learn more about her.
I needed/wanted to do something for her — because I can’t fix any of the things wrong with this world, with my country, with all of those folks hurting and trying and dying. Because I am a maker of things and because I wish — how much I wish — I could make magic.
And so I got on Google and downloaded images from her Facebook page and from her book covers on Amazon. I figured out how to do a simple world cloud using words from her various posts.
I printed out the images on washable fabric. I appliqued the images onto the front of a t-shirt.
Then, I appliqued a healing mandala on the back of the shirt.
And then I looked up her address on 411.com and put it in the mail.
And I included this note:
If Magic were something I could make,
I would spin you a spell of healing,
thread it with the strength and energy
of all of your best moments, color it
blue like water teeming with life,
the burgundy of blood, the red and white
of cells induced to dance again,
of a thousand loving thoughts
warming the fabric of hope.
Then you could wear it like armor
a curative cloak, medicinal mantle,
that primitive sympathetic magic
powerful in intent as any prayer.
I did it as much for me as for her. We are both powerless against the arbitrary surges of fate that drag us into those dark places where we would not choose to go and then leave us, spent, to find a way out. Only she has no way out of this one.