lessons from the future
Mike Brotherton, scientist and SF writer, lists this among the reasons he likes science fiction:
Seeing sides of humanity possible in no other way. How would we react to the discovery of aliens? Or aliens much smarter than us? Aliens with different belief systems and good reasons for having them? Or technology that gives us opportunities and challenges we’ve never had before? Or we will have, but not yet?
As an avid science fiction reader for more than 50 years, I continue reading sci fi novels because they push the boundaries and bonds of my attitudes about societies and beings very different from what I'm used to. They challenge me to examine my beliefs about how to deal with uncompromising adversaries.
Contemplate, for example, the following descriptions of alien cultures whose values clash with those of most of the inhabitants of planet Earth:
Considered within their own ethos, the Aalaag are extremely just masters — mistreatment of their human “cattle” by one of their kind is a serious offense. But they demand obedience and a rigid code of conduct that rankles the human spirit. Actually, the Aalaag are a conquered race themselves, fleeing from some unnamed but awesomely powerful enemy that took their home worlds. They are in essence warriors, tall and proud, each with a collection of personal arms and possessing a Spartan outlook on their condition. Every single Aalaag views duty as the highest virtue, and all duty is directed towards one day regaining their lost worlds. The races they themselves conquer are used to exploit resources in support of this ultimate goal.
The Psychlos don’t just conquer planets. They don’t just conquer galaxies. They conquer universes. Only they have the secret to instantaneous teleportation. And one of their biggest operations is the Intergalactic Mining Company, which knocks natives back to the Stone Age and then systematically strips their planet of all available ore, almost down to the very core. Oh, and the Psychlos find cruelty to be “delicious.” The crooked — even by their standards — Security Head of Earth is named Terl and he is scheming to get rich by “training” native humans to do some illegal mining for him.
As humans are a culture of individuals, as ants are a colony culture, the Fithp are a herd culture. [snip} — and being herd creatures, they do not understand the concept of diplomatic compromise… you either dominate or you submit.
....these tongue-in-cheek tales of derring-do and human ingenuity in the face of human diplomatic incompetence have sold quite well for many years. In most of them, there is an insidious plot behind whatever the current weird aliens are doing that is being masterminded by the Groaci. No slouches at the diplomatic bargaining table, the Groaci are nonetheless almost incapable of dealing squarely.
Although the “worms” are the most visible face of the Chtorr, what we have here is nothing less than the attempt of an entire biosphere to conquer Earth.
Sometimes there is no way to compromise with "alien" beings and cultures, and so the decision is to go to war with them. But is that really the only solution?
A friend of mine from college, a retired CIA polygraph examiner who has written several books on the subject, emailed this article from February 3rds New York Post.
After my post yesterday about wanting to bring back the "banned" movie Song of the South, I hesitate to share my views regarding what the Post piece by Ralph Peters suggests about the way we (America) deal with our "alien" enemies.
But Peters, while beginning his piece with a rather shocking assertion (that motivates you to read the whole article), ends with these statements that contain some common sense:
The point isn't to argue that Afghans are inferior beings. It's just that they're irreconcilably different beings - more divergent from our behavioral norms than the weirdest crew member of the starship Enterprise.
As an analytical exercise, try to understand Afghanistan as a hostile planet to which we have been forced, in self-defense, to deploy military colonies. How do the bizarre creatures on that other planet view us? What do they want? What will they accept? Is killing us business, pleasure - or both?
Are there tribes among these aliens with which we can cooperate? Which actions of ours inflame the alien psyche? What will the alien willingly die for? What does the alien find inexplicable about us? Must we preserve a useful climate of fear?
Do we intend to maintain our military colonies out there in deep space? For how long? Can the angry planet ever be sanitized of threats?
Of course, there's more in play than images of our "starship troopers" combating those alien life-forms that call themselves "Taliban." This exercise is just meant to break our mental gridlock, to challenge our crippling assumption that we're all merry brothers and sisters who just have to work through a few small understandings.
This is a "war of the worlds" in the cultural sense, a head-on collision between civilizations from different galaxies.
And the aliens don't come in peace.
This is what's bothering me: America (or rather those in power in America) seem to believe that it is this country's right to go out and convert those "alien" cultures to our version of capitalistic democracy That missionary zeal (as all missionary zeal does) generates dislike and distrust -- and even hatred, in the case of the Taliban -- among those we consider "others."
Sci fi novels present a variety of "what if" scenarios in which the protagonists have to learn to survive -- despite, within, or alongside of -- disturbingly "alien: cultures.
Maybe someone should suggest to Obama that he assign a sci fi reading list to his international and military advisers.
old time teachers
That's what we are now, I guess, to today's kids. We were educated to be teachers more than 40 years ago, before MTV, before rap, before Marshall McLuhan, before school shootings, and definitely before the Internet. We saw ourselves as professionals and dressed and behaved accordingly. We spent a lot of time preparing for our classes and saw ourselves as the guiders of young minds -- inspirers and role models. And we worked hard to make learning exciting and fun for our students.
Some of us eventually moved into other fields; most of us are retired, now. Schools and kids have changed so much that I know I could never handle one of today's classrooms.
That's not the case for my old friend, John Sullivan, who, although retired from the CIA and a published author, still manages to do substitute teaching. The other day, I got this email from him:
Earlier this month, when I began subbing, I hadn't taught a high school class since I was in graduate school in 1969. During the time our two sons were in high school, I became aware that things had changed, but this awareness didn't prepare me for this new age high school.
One of the two schools in which I subbed is the same high school from which our older son graduated, and there are still some administrators and faculty there whom I know. The student body includes the entire socio-economic spectrum as well as students who, according to the principal, speak 75 languages. There are hints of Blackboard Jungle there, but only hints.
One of the teachers for whom I subbed left a note about one of the classes, to wit: "John, this is the class from hell, and I wouldn't wish it on my worst enemy." I went into the class a bit nervous, to say the least, and was very surprised at how well it went. At least half of the kids are Latinos, and for whatever reason, we hit it off. I talked to the teacher the next day, and he kept pointing out that he just couldn't communicate with them, and he was obviously afraid of them.
One of the seniors in one of the AP classes I had is a borderline genius, has a serious stuttering problem and has been accepted to Harvard. A girl in a Freshman AP class came back from lunch, and in reply to my quetion, "how was lunch", said, "It was ok, but some Jewish guy tried to stick my head in the toilet." When she said she hadn't reported it, she also said, "I took care of it. I beat him up."
The only semi serious problem I had was with a disruptive Afghani kid, but it worked out.
One of the bigger adjustments I have to make is the almost slovenliness of the male teachers. Some of them are unshaven, dress like rag pickers and look more like students than teachers. The desk, and working area around the desk of the teacher for whom I subbed yesterday looked as if it had been hit by a tornado. Papers, books, CDs etc. were strewn everywhere.
All of this being said, and as tiring as it was, I have gotten some great feedback from the kids and other faculty with whom I worked. At the end of my last class yesterday (a Freshman AP history class), the kids gave me a spontaneous ovation. I liked it.
I'm sure that there are some young "old time" teachers out there, and I have the utmost respect for them. I watch my daughter, who is home schooling my grandson, carry on the tradition of this family as she stimulates a love of learning and a curious intellect in our energetic six-year-old.
Encouraging changes in the teaching and learning of today's schools is an essential part of President-elect Obama's plan for improving education. But government can only do so much. The dedication of parents and teachers to creating and providing exciting learning environments is key. And school bureaucrats need to retool themselves into committed educators as well.
Meanwhile, teachers like John will continue to make a difference, one classroom at a time.
five things
Ex-Lion Tamer tagged me for posting five interesting things about me.
I had to do some serious thinking about this, since these days, my life is about as interesting as a bowl of cold oatmeal.
1. I once accidentally left a pink satin teddy in a bed at a New York City hotel where my daughter was waitressing/singing.
2. For more than twenty-five years people assumed that I had curly hair because I always had a perm.
3. Last night my mother and I stayed up until 2 a.m. watching "Lilies of the Field," and I realized that I had never seen the movie before! Sidney Poitier was totally HOT!
4. I hardly ever read non-fiction. I am usually reading two fiction books at the same time and listening to a third on my MP3 player as I fall asleep. Understandably, I often don't remember the stories a month later.
5. I started two craft businesses thus far in my lifetime, doing craft fairs and selling to folks who found out about my wares by word of mouth. The first I called "Self-stones," and I turned tumbled stones into various simple accessory items and packaged them with a description of the magical lore and healing properties associated with those stones. The second was called "Sass & Chic," and I sold shawls that I crocheted in a spiral from a pattern that I designed. Here's a photo of four, two of which I embellished with washable pony beads.
Of course, I never really made any money from either craft business. But I had fun.
I need to figure out how to have some fun in the future.
a father's words
a daughter's pictures
After the death of her father, Melissa Volker discovered some uncanny similarities between her photos and the poems in a collected, unpublished work of his.
As a tribute and a tether, she brings them together here -- a poignant sharing meaningful to parents, children, those who have lost, those who love.
Word and pictures. Together a common vision.
The above is the description of my daughter's book, which she is publishing online through Blurb.com.
The title of this book of her dad's poetry and her photos is the title he gave his collections of poems: "Seeworld: visions from the wonderground," and you can get a preview of it here.
The poems are as much for children as for adults. They are filled with unique images that reflect the simple wonders of nature. The photographs visually capture that simplicity and that wonder, adding to the delight of the poems themselves.
"Seeworld" would make a great holiday gift for any family that treasures the special relationship that a daughter can have with her father.
(Of course, this proud mama just can't resist plugging the publication.)
a father's words, a...
By W.A. Frankonis an...
listings
Over the years, I've accumulated a following of various catalogs. Clothes, especially, but there are other kinds as well.
But the catalog I got in the mail today is one of a kind in my long list of order offers. And I don't know how or why they got my name. I can't help wondering if someone put my name on their mailing list just to annoy me.
I mean, this is what this slick catalog is selling:
-- a 20 CD set of lectures entitled "The Hand of God in the History of the World."
-- a read-aloud series for children: "How God Sent a Dog, Stopped Pirates, ande Used a Thunderstorm to Change the World."
-- a book: "Passionate Housewives Desperate for God."
WTF!!! I guess their marketing guru never got a look at the sidebar of this blog.
Oh, and then there's "The Wise Woman's Guide to Blessing Her Husband's Vision."
Now I'm grinding my teeth!
In between all of this, pages of miltary, detective, construction, outdoor, and battle costumes and tools for boys. And what do the girls get? Equal pages of cutsy dresses and dolls, baking sets and aprons, tea sets and crochet gloves AND a book on "How to Be a Lady."
Groan. Nausea. Twitches.
And. AND. This, and I quote from the blurb on "Return of the Daughters":
For the first time in America's history, young ladies can expect to encounter a large gap between their years of basic training and the time when they marry...if they marry. Now Christian girls all throughout our country are seriously asking: What's a girl to do with her single years?
This documentary takes
... viewers into the homes of several young women who have dared to defy today's anti-family culture in pursuit of a biblical approach to daughterhood, using their in-between years to pioneer a new culture of strength and dignity -- and to rebuild Western Civilization, starting with the culture of the home.
I have to admit, the writing in this catalog is good, the presentation skilled. And that even makes it more scary. I am not linking to its website because I don't want to give it any additional visibility.
Finally, the back cover:
A Creation Celebration. ... each episode will build your appreciation for the brilliance of God's design and will teach you how to dispel evolutionary myths...
Evolutionary myths!!!
This is one catalog that I'm going to feel great pleasure in throwing into the recycle pile. That is, after I rip off the address label and stick it in the mail with an order to take my name off their !@#$% list.
Categories:
bitching,
books,
conspiracy theories,
culture,
education,
family,
feminism,
non-belief,
religion,
science,
strange world
where stories begin
Above the archway leading to my daughter's country kitchen is a long wooden plaque that says "Home -- Where you story begins."
The story of my grandson's 6th birthday party is not an unusual one -- tables lined up with white paper tablecloths on which the dozen young guests crayon while waiting for the cake and ice cream, members of the family and extended family bustling around each other and gathering around for traditional candle blow-out.
The theme of my grandson's party was a little unusual: Massachusetts State Trooper hats and badges and ticket books young guests created themselves. Even the cake was decorated with an image of the official State Trooper car.
What will be an oft-told family story, I'm sure, is my grandson's over-the-top exuberance as he acknowledged each gift, even the ones that weren't something related to being a cop -- and especially the full police outfit that I gave him and that he wore for the rest of the day. For some uninherited reason, he's enamored of authority-figure costumes -- police, fire fighers, FBI agents/spies, doctors, soldiers.... Go figure.
On the drive out to Massachusetts last Thursday, I listened to some beautifully written stories by American combat soldiers on NPR's Selected Shorts program (see Program 42 here). These were not stories about the inhumanity of war. Rather they were stories that reflected the sweet humanity and humor of the soldiers forced to fight the war, stories that reinforced the identities of these soldiers apart from the war.
While most of the ones read on the air were true, the most poignant to me was actually a work of fiction. It was about a female soldier taking her young son to the airport, where he would fly, alone, to his grandparents, while she went off to war.
Perhaps, some day, there will be no need for war stories.
a book thing
I read books, listen to books, pile up books, buy books, lose books, lend books, give books, and love to get books.
But I don't make books.
(i don't "make book" either, which is the slang term by grandmother used back in the forties, when she would send me down the street to the bar where I would bet her weekly "10 cents, combination" on the numbers.)
Last month, a dear friend of mine sent me, as a condolence gift, a book that she had literally made. It's not just a book; its a sculpture of sorts, fanning out, when opened, with flaps containing her favorite quotes. It's got color and texture and is a book like no other.
And this is my favorite quote of her favorite quotes:
Forgiveness is letting go of all hope for a better past.
--Anne Lamott
Myrln Monday Memoriam
For a while before his death in April, non-blogger Myrln (aka Bill Frankonis), posted here on Kalilily Time some kind of rant or other every Monday. Our daughter has been sending me some of his writings to post posthumously, but we were all away all weekend at the party Bill said in his will that he wanted.
So, today, I post my second letter to the dead.
Dear Bill:
Were you whirling in your ashes as so many of those people whose lives you touched so meaningfully told stories about their relationships with you? Even a few with whom you were no longer on the best of terms stood up and remembered the good times.
I know how much you wanted to let those people with whom you felt close at various points in your life know how much they meant to you. Well, obviously they already knew.
I didn't count how many of the little theater's seats were filled, but there had to be between 50 and 60 people who came in for the story telling. And there were others who came and left before that time as well.
You would have loved to hear the stories -- some funny, some poignant -- all remembering you at your best. There is no doubt that you will be remembered by your colleagues and students not only as an amazingly talented writer and director, but also a uniquely nurturing mentor and teacher.
You would have been so proud of our two kids. Well, I should say proudER, since you always have been proud of them.
You also would have loved to see your almost 6-year-old grandson and the (equally young) granddaughter of our friends Pat and Bill. They hit it off amazingly. Word has it that she said that she really liked his hair and was going to marry him. The pairing of our respective offspring didn't happen last generation. Wouldn't it be a hoot if it happened with this one.
I wish I could talk to you about that novel Enchantment that you gave me a while ago and I found in my pile of books-to-read last week. I couldn't help see you and me in the princess and the scholar. I wonder if that's what you thought as well. I'm only half way through, so I don't know how it ends. I hope that it ends better than we did as a couple.
On the way back to where I live now (I can't call it "home"), I played the Famous Blue Raincoat CD that you gave me.
There Ain't no Cure for Love.
the last post-it
My late once-husband often sent me books that he thought I would like, after he read them. He always had an uncanny knack for selecting both books and music that I liked as much as he did.
As I continue to clean out my "stuff," I moved a pile of books yesterday and found one I had forgotten about. And so I started reading it last night.
He was right, again. From the Amazon review:
Mixing magic and modernity, the acclaimed Orson Scott Card (Ender's Game) has woven threads of history, religion, and myth together into a convincing, time-hopping tale that is part love story, part adventure. Enchantment's heroes, "Prince" Ivan and Princess Katerina, must deal with cross-cultural mores, ancient gods, treacherous kinsmen (and fianceés), and ultimately Baba Yaga herself.
Thanks, again, Bill.
and is it art?
With this post is a reminder to often check out 3 quarks daily, a group blog for those who like to have their brains prodded.
I read the post that linked to this soon after I had a look at some photos that my amateur photographer daughter had been playing with, using some trial software. The item is about "computational photography" and is about innovations in digital cameras, but the concept includes innovations in software a well.
This landscape photo of hers, for example, she transformed to look as though it had brush strokes in it. This one turned into a watercolor.
What will these new technological capacities for creating "art" mean for the value (monetary, aesthetic, and historical) of the more traditional artist?
And it's not just the two-dimensional visual arts techniques that are changing. Creative writing has reached a new frontier as well. 3 quarks daily cites an article in The Guardian that reports:
The book-writing machine works simply, at least in principle. First, one feeds it a recipe for writing a particular genre of book - a tome about crossword puzzles, say, or a market outlook for products. Then hook the computer up to a big database full of info about crossword puzzles or market information. The computer uses the recipe to select data from the database and write and format it into book form.
Phillip M. Parker, the inventor of the system, gives his reason for inventing it:
"there is a need for a method and apparatus for authoring, marketing, and/or distributing title materials automatically by a computer." He explains that "further, there is a need for an automated system that eliminates or substantially reduces the costs associated with human labour, such as authors, editors, graphic artists, data analysts, translators, distributors, and marketing personnel.
"
I can't help wondering if the next steps will be to program machines to actually do the painting, take and make the photos, write the books, make the movies......
Will actual human creative processes become obsolete and will we become -- as we almost are already -- just consumers??
Will the offspring of Roomba leave no place for future Rembrandts?
