my poem, in print

It’s been a long while since I’ve published any of my poetry. It’s been a long time since I’ve written any poetry.

Early last spring I ran across a request for submissions from the Ballard Street Poetry Journal, and I took a chance and submitted one, which was published in the current Summer 2010 issue.

I find the poetry in many journals rather inaccessible, either for reasons of language or subject. But I loved all of the poems in the Ballard Street Poetry Journal. Here’s mine, which appears on Page 21:

The Gravity of Gardens

They gave me a garden the size of a grave,
so I filled it with raucous reminders of sense:
riots of marigold, lavender, sage
rosemary, basil dianthus, rue.
And waving madly above them all
spears of brazen Jerusalem artichoke
that perplexing garden gypsy
that blossoms and burrows,
grows up to nine feet tall, and
in the harsh summer storm
dances her defiance
to the grim arrogance
of gravity.

I need to plant that garden again.

no contest

Well, actually, there was a contest — or, more accurately, a virtual exhibit/contest.

Only it turns out that there were no contestants. Well, actually, there was one. Me.

I follow Vicki Howell on Facebook, own a couple of her books, and submitted my profile for her book Craft Corps: celebrating the creative community one story at a time — in which it appeared, along with dozens of other amateur as well as professional crafters.

Vicki Howell is a young, entrepreneurial, funky, gutsy, energetic, inspirational, and well-known craftsperson. I am pretty much none of those. But I do dabble in various crafts, so when I saw her announcement requesting submissions for “an art piece that reflects your creative passion,” I embraced it as a challenge for me to explore just what that means to me.

Recognizing the breadth and depth of Vicki’s craft community (which includes ceramicists and jewelry designers, as well as fabric and yarn crafters), I began to imagine the kinds of submissions the contest might attract — multi-media, multi-dimensional cutting-edge craft-as-art. Way out of my league, I figured. But I also felt motivated by the challenge to create something that represented my version of “dabbling-as-craft.”

And so this is my three-dimensional wall hanging — featuring, of course, a calla lily.

It includes various quilting techniques, machine embroidery, knitting, crocheting, weaving, and applique — with some button embellishments because I had them on hand.

Since I was the only crafter to submit something before the deadline of August 1, Vicki says that she’s going to put my piece on display at the Creative Connection event, where she is on a panel of entrepreneurial crafters. I could live with that.

Where Goes Wonder Woman??

I am a year older than Wonder Woman, and she was my favorite comic book character beginning on the day I first walked into Mr. Wellman’s candy store and discovered her on the shelves.

wonder woman

But today’s comic publisher is going to turn her into something she was never meant to be, and I, personally resent the insulting “updating.”

My Wonder Woman had a past, a “backstory” worthy of her mythic and iconic stature. From here:

From her inception, Wonder Woman was not out to just stop criminals, but to reform them. On a small island off Paradise Island was Transformation Island, a rehabilitation complex created by the Amazons to house and reform criminals.

Armed with her bulletproof bracelets, magic lasso, and her amazonian training, Princess Diana was the archetype of the perfect woman from the mind of her creator, William Moulton Marston. She was beautiful, intelligent, strong, but still possessed a soft side. At that time, her powers came from ‘Amazon Concentration,’ not as a gift from the gods.

Wonder Woman’s magic lasso was supposedly forged from the Magic Girdle of Aphrodite, which Queen Hippolyta (Wonder Woman’s) mother was bequeathed by the Goddess. Hephastateus borrowed the belt, removed links from it, and that is where the magic lasso came from. It was unbreakable, infinitely stretchable, and could make all who are encircled in it tell the truth.

I first become interested in Greek and Roman mythology because of that original Wonder Woman story.

But now “they” are going to change all that — make her a Superman Clone.

They are taking the awesome “wonder” out of Wonder Woman, and I don’t like it at all.

singing mom to sleep

My mom lives more than 160 miles from me. She is 94 with severe dementia.

When I go and stay with her (about once a month) I sing to her, old songs that she might recognize — “Over the Rainbow,” “My Favorite Things,” “Try to Remember,” “When the red red robin comes bob bob bobbin along…..” I have a below average singing voice, but my singing seems to calm her down.

Tonight, 160 miles away, she wouldn’t calm down, and my brother was at his wit’s end. So I started singing to her over the telephone, and it worked. Now I have to figure out how to record some of those songs and burn them on a disk or get them onto an mp3 player so that I can send them to her — a medley of old songs to ease the demented mind.

Hey, whatever works.

torn by craft

I’m a writer. I’m a writer. That’s what I am. I’m also a cutter and sewer and looper. I want to do it all. I’ve always wanted to do it all.

So I’m writing. Mapgie Tales for one (a new one in the works). Entered an essay contest about death for another.

Pinned on my wall are pieces of what eventually will be a wall hanging for an online craft exhibit.

Maybe it’s because I started in therapy again, and that always gets my juices going.

Or maybe it’s because I’m cutting down on my anti-depressant.

Or maybe I’m getting manic in my old age.

Or maybe I’m avoiding thinking too much about the awful state my mother is in.

Or maybe all of the above.

So much to create. So little time.

the last of Lot’s wife

The following is a piece I wrote in response to this Magpie Tales #17 visual prompt of a female head. Go here to find other writers’ responses.

Lot's wife

She was my sister before she was Lot’s wife – Irit, my older sister, who was special to the goddess, although that was a fact only known to the women of Soddom. For it was the men who ruled our town, our lives, our destiny, burrowing into the soils along the edges of the town, along the shores of the salty Dead Sea, bringing up the dark thick substance that held together our walls and our dead. “Mumiya” it was called. You call it “asphalt.” Sometimes a man would fall into a firey pit and drown in it. He would become mummified – forever preserved in a column of stone.

Irit was a good wife, and Lot was one of the better husbands, although that is not saying much, given the place that the new god of men designated for women. That is why many of us kept to the old ways in secret, gathering over our shared cauldrons of stew, rich with the yieldings of the fertile lands we also shared beyond the smokey shoreline. We would give our thanks to the Mother of All, ask for her blessings and prophecies, look to her priestess for guidance.

And that is how Irit came to be caught in the fires finally sparked by the greed of some of our men. She had a vision, Irit did – a vision of the earth quaking and burning, a vision of a darkness billowing out from the underworld. And she told her husband, who was one of the better husbands, who respected the wisdom of women and their ways, and often took his wife’s counsel. But when Lot tried to warn his fellow townsmen to watch for signs, they would not listen, for it was not their god who spoke, and they coveted their riches.

And so when the earth began to tremble and red fires erupted along the shoreline, when the land began to melt and fold in on itself and stony shards shot up into the air, Lot and and his wife, Irit, gathered their family and began to flee north to the olive groves — until Irit heard the screams of a townswoman whose husband held her down on the ground so that she could not run. And so Lot’s wife turned to help her friend.

“No!” I cried to my sister. “No!” cried Lot to his wife.

“No!” cried Lot’s wife as a great dark wave erupted from the earth, engulfing her and leaving her hardened form to withstand the next rain of sulphur-spewn stones.

And that’s when her head broke off and rolled toward me down the slope, landing with her face looking into mine and still calling “No!”

I carried her hardened image with me through all of our long journeys north to the land of Hatti, where I finally settled with a band of women who called themselves “ha-mazan.”

We kept the mummified head of Lot’s wife, Irit, on the altar where we sought the guidance of the Great Mother, whom we all knew by different names – Ishtar, Astarte, Innana, Lilitu — to remind us of Irit’s last word.

I don’t know what happened to Lot and his children. But I do know that what everyone thinks happened in Soddom is not the story I know about Lot’s wife.

[writer’s note: details about Bronze Age towns along the Dead Sea gotten from here.]

I bow to Betty

betty

The image above was created by Vicki Howell of “I Love To Create” as part of her tribute to Betty White, who co-hosts Saturday Night Live tonight.

At 88, Betty White has achieved a resurgence in popularity and a whole new persona, and the reasons for her current icon status are aptly explained here.

That’s why I was surprised when, linking around from my son’s tweets several weeks ago, I wound up at an article (which I can no longer locate) by a young-ish female criticizing White for the very charms that attract the rest of us. I guess, for that young writer, older women should be sweet, non-intrusive, and very well-mannered. I guess she never read Jenny Joseph’s famous poem “Warning,” which begins When I am old I shall wear purple…

Betty White is a perfect role model for those of us elders who still value sass and surprises.

I bow to Betty.