“Common Living Dirt”

We were all out digging and clearing today.

I come from a family of Polish farmers on my mother’s side. (My father’s side of the family were more educated and tended to be white collar workers in old Poland.)

I love digging in the dirt. It has to be in my genes. And that’s also probably why my son is now part owner of a herd of urban goats and just loves taking care of them.

And that’s why this poem by Marge Piercy is one of my favorites:

The Common Living Dirt
by Marge Piercy

The small ears prick on the bushes,
furry buds, shoots tender and pale.
The swamp maples blow scarlet.
Color teases the corner of the eye,
delicate gold, chartreuse, crimson,
mauve speckled, just dashed on.

The soil stretches naked. All winter
hidden under the down comforter of snow,
delicious now, rich in the hand
as chocolate cake: the fragrant busy
soil the worm passes through her gut
and the beetle swims in like a lake.

As I kneel to put the seeds in,
careful as stitching, I am in love.
You are the bed we all sleep on.
You are the food we eat, the food
we are, the food we will become.
We are walking trees rooted in you.

You can live thousands of years
undressing in the spring your black
body, your red body, your brown body
penetrated by the rain. Here
is the goddess unveiled,
the earth opening her strong thighs.

Yet you grow exhausted with bearing
too much, too soon, too often, just
as a woman wears through like an old rug.
We have contempt for what we spring
from. Dirt, we say, you’re dirt
as if we were not all your children.

We have lost the simplest gratitude.
We lack the knowledge we sowed ten
thousand years past, that you live
a goddess but mortal, that what we take
must be returned; that the poison we drop
In you will stunt our children’s growth.

Tending a plot of your flesh binds
me as nothing ever could to the seasons,
to the will of the plants, clamorous
in their green tenderness. What
calls louder than the cry of a field
of corn ready, or trees of ripe peaches?

I worship on my knees, laying
the seeds in you, that worship rooted
in need, in hunger, in kinship,
flesh of the planet with my own flesh,
a ritual of compost, a litany of manure.
My garden’s a chapel, but a meadow

gone wild in grass and flower
is a cathedral. How you seethe
with little quick ones, vole, field
mouse, shrew and mole in their thousands,
rabbit and woodchuck. In you rest
the jewels of the genes wrapped in seed.

Power warps because it involves joy
in domination; also because it means
forgetting how we too starve, break,
like a corn stalk in the wind, how we
die like the spinach of drought,
how what slays the vole slays us.

Because you can die of overwork, because
you can die of the fire that melts
rock, because you can die of the poison
that kills the beetle and the slug,
we must come again to worship you
on our knees, the common living dirt.

A Day of Memories

aweddingSix years ago today, my friend and once-husband died of lung cancer. This is the only existing photo of the day we eloped in 1962.

We were kind of a fire and ice mixture. Made some fascinating patterns and two great kids, but we were destined to destroy each other if we didn’t separate.

Our son published some of his writings, which are available on Kindle. In the early days, we were very competitive with each other regarding our writing/achievements. Back then, I kind of viewed us as an “F. Scott and Zelda” situation.

Only I didn’t jump into a fountain and wind up in a loony bin. I jumped out into the life I was destined to have.

We eventually were able to become good friends, and I was with him on his last day.

I often think about how much he would be enjoying the paths that our two kids have taken and the way his grandson is blossoming.

Who is Jake Trussell and why…..

Why do I have him listed with Kerouac and Kafka in a poem that I wrote when I was twenty years old?

jake TrussellEven the information about him in the last available copy of his chapbook that I just bought for $10 doesn’t tell me anything about how I might have come to know anything about him more than a half-century ago.

Apparently, he wrote back in the late 30s and 40s, and this chapbook is his only collection. The inside cover says

Only a limited edition of 1000 is being printed, and none of them will ever be available except as a personal gift from the writer.

The copy I bought is inscribed to “Doc Chandler: who appreciates cheesecake and football predictions — all the good things in life. Jack Trussell, 10-15-57.”

I was a freshman in college in 1957. Might I have heard him read his poetry on campus? Did one of my fellow pseudo-beatniks tell me about him? Did I share a beer with him one night in the tiny bar on Central Avenue in Albany where we gathered around a table in front of a bizarre mural of Buddha, Shiva, and various other inspirational myths? I don’t know why his name would appear in my poem.I don’t remember. Have no idea. “Doc Chandler” certainly doesn’t ring a bell.

About the poems in this collectin Jake says “To me, poetry was always a personal thing, written for the pure joy of writing and for no other consideration whatsoever. These poems were written at very odd moments ….and on the strangest assortments of materials (napkins, the backs of old football programs, and scraps of typing paper crammed into a beat up portable late at night on a kitchen table).”

I guess that sounds pretty much like what we were all doing back then.

Most of his poems have end line rhymes, which I rarely like. I might never know why his name found its way into one of my very early efforts. Maybe I had read this one of his; I know I would have liked this one, which he wrote in 1938:

trussell exit

Sit, Walk, Write

According to Natalie Goldberg, writer and teacher, the order should be “Sit, Walk, Write,” but, as is my nature, I fudge things to fit my nature. Following directions is not one of my strong suits. I improvise.

When the temperature hit 50 degrees today, I went out for a stroll (again, my nature) under a clear and sunny sky. The cool breeze brought the non-scent. of a waning winter. There is still snow on the ground. Vague puddles cross my path.

I can barely hear my footfalls, although that can be more the effect of my diminished hearing rather than the soft tread of my measured heel-to-toe pace. I doesn’t matter.

Cracks in the asphalt form telling mandalas, and I wish I had brought my camera to capture the symmetries of these unexpected partnerships between man and nature.

A young woman jogs past me and turns up a hill that I always find too strenuous for my strolls. I am not going anywhere. Have no place I have to be. It is that time of my life when strolling is the way to go. (Unless, of course the Amtrak Writers Residency project picks me to “sit, ride, write.”)

The same young woman passes me again, this time going the other way. I wait for her to pass me yet again, because three is a magical number, but she doesn’t. Is there meaning in that?

A young boy, about seven years old, walks past me on the other side of the street. He is pushing what looks like a doll’s carriage; it’s too small for a baby. When he walks toward me later, coming the other way (it seems like everyone is coming and going, but I just keep going), I stop and look through the mesh into the stroller. It’s a big orange cat. He says the cat’s name is Oliver. I look down at the logo on the stroller. It’s a pet carrier. Why not.

When I sit, it’s on the sunny front steps with my daughter and grandson. We sip our teas and chat. I need that kind of company/togetherness, and they provide it. I feel lucky.

In a moment of silence, I wonder how my son’s goats are doing. It is the year of the goat. And of goat therapy. Sometimes magic happens.

The clouds finally drift in from the west, and the breeze picks up.

Now it’s time to write. And I am.

Mag #211

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Mag #211

Feast in the House of Simon, 1610, El Greco

Feast in the House of Simon, 1610, El Greco

It was the custom of Simon the Zealot to invite his friends to feast at his home after the sacrificial piety of every Sabbath. Of course, that meant “men only,” for we women were not allowed to participate in those raucous discussions of politics and providence. As a female in his household, my task was to keep the wine flowing as freely as did the details of their dialogues. Just by being present in that room, I learned much about the workings of men and government – the subtleties of reasoning and ruling, ideas that never insert themselves into the conversations of women. The men rarely noticed my presence; my purpose was to serve and be silent, and I used my role to my advantage.

And so it went, until the day that Simon invited to the table the man who caused a welcome disturbance at his wedding by magically changing barrels of water into barrels of wine. While I was attending to other wedding guests when this supposed miracle took place, I cannot assert that this actually happened. However, I did taste the “miraculous” wine and have to say that I found it quite fragrant.

Now, the day that Jesus joined Simon the Zealot’s table, everything changed. While the debates still agonized over the world’s politics and providence, they became less heated and more thoughtful, as the graceful gestures and soft responses of the man, Jesus, orchestrated a calmer tone. I marveled at the way he could hold the attention of every man there without even raising his voice. And there was something about his eyes, radiating a warmth and acceptance that penetrated to even the most doubtful heart.

It was not long after that Simon the Zealot left his wife and family to follow the man, Jesus – followed him out into the world of politics and provenance, joined others who did the same, all aroused by the man’s gentle promise of a world suffused with peace and harmony, fairness and compassion.

They say that there were some women who followed him, as well, for he welcomed all who welcomed him. I never left the house of Simon the Zealot, although sometimes I would dream of solemn eyes that brushed my soul and hands that graced the rest with a merciful yearning.

Sorting Socks

I have over three dozen pairs of socks. And that’s not counting the ones without mates.

I can’t imagine how I ever accumulated such a stash, but it’s typical of my reluctance to get rid of stuff. Psychological stuff as well as physical stuff. Sometimes it works to my advantage, for example, when my grandson is rooting around for some odd and end for a project he is constructing. I usually have whatever it is he needs. That reminds me of the earlier version of this book that I bought for him when he was a toddler.

But, like my stash of socks, there is stuff I don’t need to carry around with me. The writing workshop I took yesterday brought that fact home with great clarity.

Sorting socks is not the complete answer. But it’s a start.

Now, if I can only get an Amtrak writer’s residency, that might really give me a fresh start.

Starting fresh at age 74. Hmm. I can be Amtrak’s Grandma Moses. Ya think?

[Oh bollocks! I just realized I put the wrong Facebook url in my application. That might knock me out of the running right there. Too soon old; too late smart.]

when blogging was personally new

This is something I posted during my second month of blogging back in 2001. I wrote some great stuff back then. I had posted a “best of Kalilily” for those early days, for which the links don’t work. So when I fix them, I’ll reprise the post here.

Big Picture, Little Picture
So, there are some discussions going these days on about the purpose and value of weblogs. Oddly enough, the other night at my bi-monthly group meeting, I mentioned that I had begun a weblog, and I was asked to explain what that was and why I was doing it, and why I just wasn’t keeping a journal. As I’ve said, I’ve unsuccessfully tried keeping journals before and I write so much slower than I think that I got frustrated and quit. I can type almost as fast as I think (I got used to doing that at the job from which I retired last year, which involved mostly whipping out quick documents for others to share and claim as their own.) So, it’s easier to do it on the computer. And why don’t I just keep a journal on disk, I was asked. The truth is, I admitted, is that I’m used to writing for an audience. And I like having an audience. Even my poems are usually written with an audience (sometimes of one) in mind. It’s why I ballroom dance. I’m a performer at heart. I need ways to say to the world: this is who I am. Look at me. Pay attention. It seems to me that that’s at the heart of why everyone else who keeps a blog does so. In a world where we all have to live up to expectations and assume roles for survival purposes (our own and others) — caregiver, mother, employee, citizen — it’s so satisfying to have a place where one can BE who one is. Or in some cases, where one can BE who one wants to BE. It really doesn’t matter. We can create who we want to be or be creative with who we are. Either way, one has an identity, a voice. In a way, it’s kind of a new art form — or at least it can evolve in some cases into such. How cool is that!

discovering Inner Peas

I don’t read many blogs any more. I did in the early days, when we were a seedling community, all just starting out and feeling connected by our shared fascination with exploring the reaches of this technology, with sharing love of writing and our willingness to be open about who we are. We wrote with fire and shared with ferocity.

So I’m delighted when I stumble across a personal blog that I wish I were able to write, myself. It’s good writing. It’s honest feeling.

Inner Peas.

What great name.

I never found my niche

I enjoy reading mystery novels. Even more if the main character is a female. Even more if the plot involves some kind of “headology” — that intriguing mish-mash of psychology and shamanism, magic and wishing. (Granny Weatherwax is what I consider to be the model for practicing headology, but I’ve posted about her before and that’s off the topic of this post.)

I am thinking about niches and headology (two rarely connected topics) because I just finished the novel Night Angel, which applies various kinds of headologies to the process solving a murder mystery that involves a group of former 1960 Haight-Ashbury roommates.

I never lived that hippie life except in occasional free-flowing fantasies that I knew would probably not be as satisfying if played out in reality. But that didn’t stop me from fantasizing.

In the 1960s, I was married with children and living in a rural suburbia; I believed that had I not been living the responsible life, I might have been on some Magical Mystery Tour of my own, taking the Electric Kool Aid Acid Test. But I never even had a puff of pot back then. (Oh wait, yes, once, when a cousin who was married to a prison guard gave me a joint to try. Never having even learned how to smoke a cigarette, it was a failed secret experiment for me.)

If housewifery was not my niche, neither was hippiedom. Decades went by without the feeling that I had finally found where I was supposed to be in the world. I simply made the best of wherever I found myself. I guess that I am still doing that.

I look back and see myself as sort of a wife, sort of a mother, sort of a poet, sort of an activist, sort of a bureaucrat, sort of a dancer …. so many sorts, but no real niche, no place of grounding.

Maybe I found this Night Angel novel intriguing because each character seemed to have his or her own consistent niche.

My late once-husband had a very definite niche: He was a writer. He once said to me that everything else was just sawdust. He lived to write. He had found his niche.

Alongside my new La-Z-boy recliner is a box with 700+ pages of a typewritten novel of his that our son is self-publishing for him posthumously. It will be available soon to the public.

I want to read it because he often wrote with a strong sense of the power of headology, and his female characters were always forces of nature. But at the moment there is something in me that is envious of his niche — resentful, even. His niche has manifested into legacies that will go on without him.

You need a niche to leave a legacy.

I never found my niche.

Unless it’s late night blogging.