I know a young woman

Well, I say I know her, but she’s really a friend of a Facebook friend. Well, I say that she’s young; she’s really my daughter’s age — just over 50. It’s all a matter of personal perspective.

Anyway, this young woman is very ill with a disease of the blood and will only get worse. She is very smart and creative and well-known and respected in the technical information/education publication world. That is not a world I know. I only know about her. And I only know about her because there is something in her brightness and bravery that moved me and made me want to learn more about her.

I needed/wanted to do something for her — because I can’t fix any of the things wrong with this world, with my country, with all of those folks hurting and trying and dying. Because I am a maker of things and because I wish — how much I wish — I could make magic.

And so I got on Google and downloaded images from her Facebook page and from her book covers on Amazon. I figured out how to do a simple world cloud using words from her various posts.

shirtfront I printed out the images on washable fabric. I appliqued the images onto the front of a t-shirt.

Then, I appliqued a healing mandala on the back of the shirt.back

And then I looked up her address on 411.com and put it in the mail.

And I included this note:

If Magic were something I could make,
I would spin you a spell of healing,

thread it with the strength and energy
of all of your best moments, color it
blue like water teeming with life,
the burgundy of blood, the red and white
of cells induced to dance again,
of a thousand loving thoughts
warming the fabric of hope.

Then you could wear it like armor
a curative cloak, medicinal mantle,
that primitive sympathetic magic
powerful in intent as any prayer
.

I did it as much for me as for her. We are both powerless against the arbitrary surges of fate that drag us into those dark places where we would not choose to go and then leave us, spent, to find a way out. Only she has no way out of this one.

Mag #237

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Go here to read what other writers have written in response to this prompt.

veils

She seeks illusion, eyes
hiding behind a veil
no longer bridal.

Salome knew the illusive
power of veils,
but she is no Salome

and in her white unveiling
is left with only
a homely curtain
of hope.

Mag #236

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Go here to see what others have written, prompted by this image.

moths

I wrote this poem a while ago, but the metaphor is the same: “moths to a flame”.

Tin Men and Fallen Angles

I am drawn to the dramas
of Tin Men and Fallen Angels,
the loose threads of their dreams
tangling too easily
with the thickets of my own.

Their gestures hint
at faded grace.
Their eyes belie
the freedom of their stride.
Their touches fire the sun,
birthing shadows
fierce as flame.

I fly into those shadows
like a bat
out for blood.

Mag #216

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Mag #216. (Go there to read what others have written in response to this prompt.)

Finland 1968 George F. Mobley

Finland 1968 George F. Mobley

It is foolish to think you can fool April
with bright balloons and colorful plans,
gatherings of eager hearts.

April still knows snow, disdains
the hopeful smiles of children
who wait in vain for sunny play.

Rain is April’s message, prolonging
the held breath of May, promising
only a fool’s failure to remember.

“Common Living Dirt”

We were all out digging and clearing today.

I come from a family of Polish farmers on my mother’s side. (My father’s side of the family were more educated and tended to be white collar workers in old Poland.)

I love digging in the dirt. It has to be in my genes. And that’s also probably why my son is now part owner of a herd of urban goats and just loves taking care of them.

And that’s why this poem by Marge Piercy is one of my favorites:

The Common Living Dirt
by Marge Piercy

The small ears prick on the bushes,
furry buds, shoots tender and pale.
The swamp maples blow scarlet.
Color teases the corner of the eye,
delicate gold, chartreuse, crimson,
mauve speckled, just dashed on.

The soil stretches naked. All winter
hidden under the down comforter of snow,
delicious now, rich in the hand
as chocolate cake: the fragrant busy
soil the worm passes through her gut
and the beetle swims in like a lake.

As I kneel to put the seeds in,
careful as stitching, I am in love.
You are the bed we all sleep on.
You are the food we eat, the food
we are, the food we will become.
We are walking trees rooted in you.

You can live thousands of years
undressing in the spring your black
body, your red body, your brown body
penetrated by the rain. Here
is the goddess unveiled,
the earth opening her strong thighs.

Yet you grow exhausted with bearing
too much, too soon, too often, just
as a woman wears through like an old rug.
We have contempt for what we spring
from. Dirt, we say, you’re dirt
as if we were not all your children.

We have lost the simplest gratitude.
We lack the knowledge we sowed ten
thousand years past, that you live
a goddess but mortal, that what we take
must be returned; that the poison we drop
In you will stunt our children’s growth.

Tending a plot of your flesh binds
me as nothing ever could to the seasons,
to the will of the plants, clamorous
in their green tenderness. What
calls louder than the cry of a field
of corn ready, or trees of ripe peaches?

I worship on my knees, laying
the seeds in you, that worship rooted
in need, in hunger, in kinship,
flesh of the planet with my own flesh,
a ritual of compost, a litany of manure.
My garden’s a chapel, but a meadow

gone wild in grass and flower
is a cathedral. How you seethe
with little quick ones, vole, field
mouse, shrew and mole in their thousands,
rabbit and woodchuck. In you rest
the jewels of the genes wrapped in seed.

Power warps because it involves joy
in domination; also because it means
forgetting how we too starve, break,
like a corn stalk in the wind, how we
die like the spinach of drought,
how what slays the vole slays us.

Because you can die of overwork, because
you can die of the fire that melts
rock, because you can die of the poison
that kills the beetle and the slug,
we must come again to worship you
on our knees, the common living dirt.

Mag #213

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Mag #213

windpeople
Pieces from a whole,
painted with fantasy,
hide an older history
of blood and scars —
the puzzle of memory.

No mythic glyphs or ruby slippers
no magic of moth or spirit of sage
can ever return
the Kansas Wind People.

Mag #212

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Mag #212

My Bed by Tracey Emin

My Bed by Tracey Emin

Depression

It descends
without warming,
squatting on your chest
like the demon it is,
the weight of its message
holding mind hostage,
the detritus of being
rising like a moat around
the bed where you lay
beleaguered by fear.

Sit, Walk, Write

According to Natalie Goldberg, writer and teacher, the order should be “Sit, Walk, Write,” but, as is my nature, I fudge things to fit my nature. Following directions is not one of my strong suits. I improvise.

When the temperature hit 50 degrees today, I went out for a stroll (again, my nature) under a clear and sunny sky. The cool breeze brought the non-scent. of a waning winter. There is still snow on the ground. Vague puddles cross my path.

I can barely hear my footfalls, although that can be more the effect of my diminished hearing rather than the soft tread of my measured heel-to-toe pace. I doesn’t matter.

Cracks in the asphalt form telling mandalas, and I wish I had brought my camera to capture the symmetries of these unexpected partnerships between man and nature.

A young woman jogs past me and turns up a hill that I always find too strenuous for my strolls. I am not going anywhere. Have no place I have to be. It is that time of my life when strolling is the way to go. (Unless, of course the Amtrak Writers Residency project picks me to “sit, ride, write.”)

The same young woman passes me again, this time going the other way. I wait for her to pass me yet again, because three is a magical number, but she doesn’t. Is there meaning in that?

A young boy, about seven years old, walks past me on the other side of the street. He is pushing what looks like a doll’s carriage; it’s too small for a baby. When he walks toward me later, coming the other way (it seems like everyone is coming and going, but I just keep going), I stop and look through the mesh into the stroller. It’s a big orange cat. He says the cat’s name is Oliver. I look down at the logo on the stroller. It’s a pet carrier. Why not.

When I sit, it’s on the sunny front steps with my daughter and grandson. We sip our teas and chat. I need that kind of company/togetherness, and they provide it. I feel lucky.

In a moment of silence, I wonder how my son’s goats are doing. It is the year of the goat. And of goat therapy. Sometimes magic happens.

The clouds finally drift in from the west, and the breeze picks up.

Now it’s time to write. And I am.